Illustration by Gemini AI Nora and Millie are two unforgettable women in literature. Both are frustrated with their married life, though Nora’s frustration is a late experience. How they deal with their personal situations is worth a deep study. One redeems herself while the other destroys herself as well as her husband. Nora is the protagonist of Henrik Ibsen’s play, A Doll’s House , and Millie is her counterpart in Terence Rattigan’s play, The Browning Version . [The links take you to the respective text.] Personal frustration leads one to growth into an enlightened selfhood while it embitters the other. Nora’s story is emancipatory and Millie’s is destructive. Nora questions patriarchal oppression and liberates herself from it with equanimity, while Millie is trapped in a meaningless relationship. Since I have summarised these plays in earlier posts, now I’m moving on to a discussion on the enlightening contrasts between these two characters. If you’re interested in the plot ...
The book I’m reading now is Whose Rama? [in Malayalam] by Sanskrit scholar and professor T S Syamkumar. I had mentioned this book in an earlier post . The basic premise of the book, as I understand from the initial pages, is that Hindutva is a Brahminical ideology that keeps the lower caste people outside its terrain. Non-Aryans are portrayed as monsters in ancient Hindu literature. The Shudras, the lowest caste, and the casteless others, are not even granted the status of humans. Whose Rama? The August issue of The Caravan carries an article related to the inhuman treatment that the Brahmins of Etawah in Uttar Pradesh meted out to a Yadav “preacher” in the last week of June 2025. “Yadavs are traditionally ranked as a Shudra community,” says the article. They are not supposed to recite the holy texts. Mukut Mani Singh Yadav was reciting verses from the Bhagavad Gita. That was his crime. The Brahmins of the locality got the man’s head tonsured, forced him to rub his nose at t...