One of the many paradoxes of human life is that many people who are overtly religious may have the vilest evils lurking beneath their overt behaviour. Such evils may never become manifest in external behaviour since they remain successfully suppressed by the religiosity of the person. The same is true of morality. Conversely, many people who are not overtly religious or moralistic may be much better at heart than those who display virtues in their external behaviour. Ibsen’s play, A Doll’s House , depicts this paradox. Ibsen died in 1906. The play was originally published in 1879. It is classical enough to grip our imagination and exercise our minds even today. Helmer, the protagonist, is a morally upright person, a man of honour. No one will accuse him of any fault. Yet when his wife, Nora, leaves him in the end returning the wedding ring, he sinks into the chair crying “Empty!.” It is his inner emptiness that he has to confront now, the exemplariness of his exte
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