Skip to main content

Story Writing



Half of my stories come from history or mythology and the other half from my imagination. Whatever the origin, each story has something to do with me; each one is an expression of some conflict within my being. “I knew you would come to deliver me from my stony existence,” Ahalya said touching Rama’s feet. That’s how my story Ahalya begins. Ahalya of that story is as much a character from mythology as an expression of my own longing for deliverance. Something similar can be said about each story of mine.

I think for all good writers each story is originally an agony within. It is an agony that seeks deliverance. In the words of Maya Angelou, “There is no greater agony than bearing an untold story inside you.” The inner agony is metamorphosed into characters created by the writer. The characters may be from history, mythology, the writer’s imagination, or just anywhere like the house next to yours. Whatever the origin, the characters you create in your stories have something to do with you: they are manifestations of yourself in some way.

Writing fiction is a kind of self-discovery. It is also a discovery of life. That’s what Anais Nin means when she says that “We write to taste life twice, in the moment and in the retrospect”. Every story you write is your attempt to savour life doubly. Or maybe it is an attempt to make life more bearable. The latter is the case when it comes to me. Every story of mine is an attempt on my part to make sense of life that is ostensibly absurd if not excruciating. That is why Ahalya’s deliverance can make Rama, her deliverer, ponder on the “endless human delusions.” Ultimately Ahalya and Rama are all expressions of their creator’s inner conflicts.

PS. Written for In(di)spire Edition 252:



Comments

  1. Every story you write is an attempt to savour it doubly... loved this, and the rest of your post.

    ReplyDelete
  2. Yes... through our stories we try to create the world that should be as per our wishes.

    Nice take on the subject and 'Ahalya' is also a reflection of question boiling in mind.

    ReplyDelete

Post a Comment

Popular posts from this blog

The Adventures of Toto as a comic strip

  'The Adventures of Toto' is an amusing story by Ruskin Bond. It is prescribed as a lesson in CBSE's English course for class 9. Maggie asked her students to do a project on some of the lessons and Femi George's work is what I would like to present here. Femi converted the story into a beautiful comic strip. Her work will speak for itself and let me present it below.  Femi George Student of Carmel Public School, Vazhakulam, Kerala Similar post: The Little Girl

Taliban and India

Illustration by Copilot Designer Two things happened on 14 Oct 2025. One: India rolled out the red carpet for an Afghan delegation led by the Taliban Administration’s Foreign Minister. Two: a young man was forced to wash the feet of a Brahmin and drink that water. This happened in Madhya Pradesh, not too far from where the Taliban leaders were being given regal reception in tune with India’s philosophy of Atithi Devo Bhava (Guest is God). Afghanistan’s Taliban and India’s RSS (which shaped Modi’s thinking) have much in common. The former seeks to build a state based on its interpretation of Islamic law aiming for a society governed by strict religious codes. The RSS promotes Hindutva, the idea of India as primarily a Hindu nation, where Hindu values form the cultural and political foundation. Both fuse religious identity with national identity, marginalising those who don’t fit their vision of the nation. The man who was made to wash a Brahmin’s feet and drink that water in Madh...

The Ugly Duckling

Source: Acting Company A. A. Milne’s one-act play, The Ugly Duckling , acquired a classical status because of the hearty humour used to present a profound theme. The King and the Queen are worried because their daughter Camilla is too ugly to get a suitor. In spite of all the devious strategies employed by the King and his Chancellor, the princess remained unmarried. Camilla was blessed with a unique beauty by her two godmothers but no one could see any beauty in her physical appearance. She has an exquisitely beautiful character. What use is character? The King asks. The play is an answer to that question. Character plays the most crucial role in our moral science books and traditional rhetoric, religious scriptures and homilies. When it comes to practical life, we look for other things such as wealth, social rank, physical looks, and so on. As the King says in this play, “If a girl is beautiful, it is easy to assume that she has, tucked away inside her, an equally beauti...

Helpless Gods

Illustration by Gemini Six decades ago, Kerala’s beloved poet Vayalar Ramavarma sang about gods that don’t open their eyes, don’t know joy or sorrow, but are mere clay idols. The movie that carried the song was a hit in Kerala in the late 1960s. I was only seven when the movie was released. The impact of the song, like many others composed by the same poet, sank into me a little later as I grew up. Our gods are quite useless; they are little more than narcissists who demand fresh and fragrant flowers only to fling them when they wither. Six decades after Kerala’s poet questioned the potency of gods, the Chief Justice of India had a shoe flung at him by a lawyer for the same thing: questioning the worth of gods. The lawyer was demanding the replacement of a damaged idol of god Vishnu and the Chief Justice wondered why gods couldn’t take care of themselves since they are omnipotent. The lawyer flung his shoe at the Chief Justice to prove his devotion to a god. From Vayalar of 196...

The Real Enemies of India

People in general are inclined to pass the blame on to others whatever the fault.  For example, we Indians love to blame the British for their alleged ‘divide-and-rule’ policy.  Did the British really divide India into Hindus and Muslims or did the Indians do it themselves?  Was there any unified entity called India in the first place before the British unified it? Having raised those questions, I’m going to commit a further sacrilege of quoting a British journalist-cum-historian.  In his magnum opus, India: a History , John Keay says that the “stock accusations of a wider Machiavellian intent to ‘divide and rule’ and to ‘stir up Hindu-Muslim animosity’” levelled against the British Raj made little sense when the freedom struggle was going on in India because there really was no unified India until the British unified it politically.  Communal divisions existed in India despite the political unification.  In fact, they existed even before the Briti...