Skip to main content

Camus’ Predicament




‘The Guest’ is a short story by Nobel laureate, Albert Camus.  It tells the story of Daru, a schoolteacher, who lives in his “schoolhouse” on a remote hillside “almost like a monk”.  One day a gendarme brings an Arab who killed his cousin in a family squabble to Daru’s schoolhouse.  Since it is wartime Daru is asked to take the murderer the next day to the police headquarters which is 20 km away. 

Daru thinks it is a dishonourable job handing over any person to the police.  He hates the Arab for committing the crime.  He tells the gendarme that he will disobey the order in spite of the latter’s warning about the consequences.  And disobey he does. 

The Arab is left untied in the night.  When he gets up and goes outside Daru hopes that he will run away.  But he returns to bed soon.  Daru takes him the next day having given him enough food to last for two days, instructs him about the way through the mountains to the police headquarters, tells him where he can find a resting place in the night, and then he returns to his schoolhouse.  On the blackboard is written a warning: “You have handed over our brother.  You’ll pay for this.”

Daru had come to see the Arab as a guest and not as a criminal.  He had served him dinner.  He had experienced an “imposing” feeling of “brotherhood” while he spent the night with the Arab in the same room.  But he hated the Arab as well as other human beings for “their rotten spite, their tireless hates, their blood lust.”

Daru hated humanity on the one hand for its essential viciousness, while on the other hand he felt an essential brotherhood with all human beings.  The gendarme calls Daru “crazy,” “cracked,” and “a fool.” 

What Daru hates is the evil side of humanity.  And that side is predominant too.  When Daru tells us that the region where he lived was “cruel to live in, even without men,” what he implies is that men are more cruel than the nature.  Daru would rather live far away from men, “like a monk.”  But that is not possible either.  There is much goodness or refinement in his heart that connects him with the human race.  How blessed life would have been if man were not so filled with spite, hate and lust!

But man is vile and there is no escape from that truth.  Daru can stay like a monk on his isolated mountainside, making his own laws, creating his own values, and finding his self-fulfilment with the choices he makes at every step – even with the sword of Damocles hovering just behind his neck. 

That is precisely the predicament of the perceptive intellectual like Camus.  Either you jump into the quagmire and make compromises with the spite, hate and lust, or stay out and face the consequences...

Well, Albert Camus was no more a pessimist than the other Existentialist writers like Sartre.  The human situation is not a happy one, but each one of us can (should) make our own choices and forge our own meaning in life.  This is what they all said.

If they were to be alive today would Camus and Sartre say the same thing?  Or would they laugh at the ridiculous shallowness that has overtaken the human civilisation?  I think they would have laughed much and most of us wouldn’t ever see the pain they were trying to hide beneath the laughter.  



Comments

  1. "How blessed life would have been if man were not so filled with spite, hate and lust!" - I wonder how that world would have been. Spite, hate and lust are but a subset of all the human emotions. I wonder if a few emotions could exist without the other. Good gives rise to the bad too :( The world is so complicated, relationships exist and become complicated but then if not for emotions, would we become emotionaless robots living a mere existence? I wonder. But yes, cannot help but hope for a world where there's no spite, hate and lust even though it's like asking for the unknown!

    ReplyDelete
    Replies
    1. That's precisely the predicament of the "intellectually honest" philosophers like Camus - that the purity of life which they can understand intellectually cannot be got in actual situations. Hence the simultaneous contempt for life and the love!

      Delete
  2. Matheikal,

    Another one of your literary posts, but one which did not leave me groping, at least not in complete darkness.

    You say, "The human situation is not a happy one, but each one of us can (should) make our own choices and forge our own meaning in life. This is what they all said."

    I am aware of Sartre's and Kierkegaard's philosophical positions and it is likely that I have misunderstood them. I beleieve they say that there is no generic "human condition". That is, human condition, per se, cannot be sad or happy. Every human becomes a human only through his condition. That condition is his choice, his essence that comes subsequent to his existence that actually choses.

    I would sincerely like you to puncture holes in my understanding. I will listen carefully and silently. No arguments. Please do oblige.

    RE

    ReplyDelete
    Replies
    1. Raghuram, you are discussing the basic tenets of Existentialism as such. I'm discussing the way that philosophy found an expression in a particular work of literature. Your understanding of Kierkegaard and Sartre as well as other philosophers of the school is right - the human condition is not a given, it is constantly in the making through the decisions taken by each individual. But in this post I'm looking at a particular character (human being) who is faced with his own condition and he too has to make decisions. He decides to disobey his government's order. He sets the criminal free although he cannot accept the crime... It is that dilemma I chose to focus on.

      Delete

Post a Comment

Popular posts from this blog

Ayodhya: Kingdom of Sorrows

T he Sarayu carried more tears than water. Ayodhya was a sad kingdom. Dasaratha was a good king. He upheld dharma – justice and morality – as best as he could. The citizens were apparently happy. Then, one day, it all changed. One person is enough to change the destiny of a whole kingdom. Who was that one person? Some say it was Kaikeyi, one of the three official wives of Dasaratha. Some others say it was Manthara, Kaikeyi’s chief maid. Manthara was a hunchback. She was the caretaker of Kaikeyi right from the latter’s childhood; foster mother, so to say, because Kaikeyi had no mother. The absence of maternal influence can distort a girl child’s personality. With a foster mother like Manthara, the distortion can be really bad. Manthara was cunning, selfish, and morally ambiguous. A severe physical deformity can make one worse than all that. Manthara was as devious and manipulative as a woman could be in a men’s world. Add to that all the jealousy and ambition that insecure peo...

Abdullah’s Religion

O Abdulla Renowned Malayalam movie actor Mohanlal recently offered special prayers for Mammootty, another equally renowned actor of Kerala. The ritual was performed at Sabarimala temple, one of the supreme Hindu pilgrimage centres in Kerala. No one in Kerala found anything wrong in Mohanlal, a Hindu, praying for Mammootty, a Muslim, to a Hindu deity. Malayalis were concerned about Mammootty’s wellbeing and were relieved to know that the actor wasn’t suffering from anything as serious as it appeared. Except O Abdulla. Who is this Abdulla? I had never heard of him until he created an unsavoury controversy about a Hindu praying for a Muslim. This man’s Facebook profile describes him as: “Former Professor Islahiaya, Media Critic, Ex-Interpreter of Indian Ambassador, Founder Member MADHYAMAM.” He has 108K followers on FB. As I was reading Malayalam weekly this morning, I came to know that this Abdulla is a former member of Jamaat-e-Islami Hind Kerala , a fundamentalist organisation. ...

Lucifer and some reflections

Let me start with a disclaimer: this is not a review of the Malayalam movie, Lucifer . These are some thoughts that came to my mind as I watched the movie today. However, just to give an idea about the movie: it’s a good entertainer with an engaging plot, Bollywood style settings, superman type violence in which the hero decimates the villains with pomp and show, and a spicy dance that is neatly tucked into the terribly orgasmic climax of the plot. The theme is highly relevant and that is what engaged me more. The role of certain mafia gangs in political governance is a theme that deserves to be examined in a good movie. In the movie, the mafia-politician nexus is busted and, like in our great myths, virtue triumphs over vice. Such a triumph is an artistic requirement. Real life, however, follows the principle of entropy: chaos flourishes with vengeance. Lucifer is the real winner in real life. The title of the movie as well as a final dialogue from the eponymous hero sugg...

Empuraan and Ramayana

Maggie and I will be watching the Malayalam movie Empuraan tomorrow. The tickets are booked. The movie has created a lot of controversy in Kerala and the director has decided to impose no less than 17 censors on it himself. I want to watch it before the jingoistic scissors find its way to the movie. It is surprising that the people of Kerala took such exception to this movie when the same people had no problem with the utterly malicious and mendacious movie The Kerala Story (2023). [My post on that movie, which I didn’t watch, is here .] Empuraan is based partly on the Gujarat riots of 2002. The riots were real and the BJP’s role in it (Mr Modi’s, in fact) is well-known. So, Empuraan isn’t giving the audience any falsehood as The Kerala Story did. Moreover, The Kerala Story maligned the people of Kerala while Empuraan is about something that happened in the faraway Gujarat quite long ago. Why are the people of Kerala then upset with Empuraan ? Because it tells the truth, M...

Empuraan – Review

Revenge is an ancient theme in human narratives. Give a moral rationale for the revenge and make the antagonist look monstrously evil, then you have the material for a good work of art. Add to that some spices from contemporary politics and the recipe is quite right for a hit movie. This is what you get in the Malayalam movie, Empuraan , which is running full houses now despite the trenchant opposition to it from the emergent Hindutva forces in the state. First of all, I fail to understand why so much brouhaha was hollered by the Hindutvans [let me coin that word for sheer convenience] who managed to get some 3 minutes censored from the 3-hour movie. The movie doesn’t make any explicit mention of any of the existing Hindutva political parties or other organisations. On the other hand, Allahu Akbar is shouted menacingly by Islamic terrorists, albeit towards the end. True, the movie begins with an implicit reference to what happened in Gujarat in 2002 after the Godhra train burnin...