Skip to main content

How to write new history


Fiction

Whenever the Parliament was in session, Rakesh Sharma MP became a different man. Ordinarily he was just a politician from a small town in Himachal Pradesh. He was so ordinary a politician that without Modiji’s magical touch he would have remained a mere boulder on a rustic hillside in Himachal Pradesh. Modiji weaves a magical web with words and a billion insects get trapped. Rakesh Sharma knew that he was a leader of trapped insects. Not that it mattered anyway. It gave him a chance to be in Delhi for a week or so every time the Parliament held a session. And Delhi was the city of delights. Sensual delights.

Rakesh Sharma’s suite would be ready at Hotel Chanakya in Chanakyapuri prior to his arrival in Delhi. A beautiful young woman of foreign origin would be awaiting him with a sensuous smile and seductive attire. Rupeshu Lakshmi, Sayaneshu Veshya. The fact that Lakshmi had foreign blood in her veins boosted Rakesh Sharma’s consciousness of his power. He felt like an invader into alien territories. Power is magic and the ultimate aphrodisiac, he realized with much self-contentment.

“Liza is not your real name, is it?” Rakesh Sharma asked the Chinese woman who was lying stark naked next to him in bed.

“Liza is an erasure. I’m a part of history’s erasures.” She chuckled. “Your country, particularly your party, is interested in erasures now.”

It was their third night together. Rakesh had already learnt many things about her. Not because he was interested in her as a person. She was just another of the many women whom he had savoured for a few days. Or nights. She would be forgotten, just as the others were, soon after her use was over. He had enquired about her just to ensure his own safety. Security of his reputation, rather.

Liza was the daughter of a cousin of Jiang Qing, Chairman Mao’s wife and the last victim of Mao’s Cultural Revolution. “Kill! Kill!” was the Revolution’s slogan. Young boys and girls wearing red armbands and military fatigues went on a killing spree that lasted months. Anyone who looked like a bourgeois was done in brutally. “Kill! Kill!”

They did not spare even cats. Cats were perceived as symbols of bourgeois decadence. Poor people couldn’t afford pets, could they? Cats belonged to the bourgeois class. Mao’s adolescent Red Guard killed every cat they saw along their bloody way.

“Nobody knows the exact figure of deaths – people’s or cats’,” Liza said. “People  could be anywhere between 500,000 and two million.”

“Every dictator has filled the vacuum in his soul with heaps of corpses,” Rakesh Sharma said putting his palm over one of Liza’s big breasts as if he was making a conquest of a hill. “Every corpse adds to the dictator’s self-worth.”

Liza chuckled. “You’re working for a dictator, aren’t you?”

“That’s better than being a corpse, isn’t it?”

“Chairman Mao too became a corpse finally.”

“And history erased the other corpses from their tombs.”

Mao’s sins were placed on Jiang Qing’s head. The Cultural Revolution was not Chairman Mao’s idea, they said taking over power after Mao’s death. It was Jiang Qing who masterminded it all.

“I was Chairman Mao’s dog,” Jiang Qing protested. And they said they would kill her like a dog. She killed herself before they did. She remained a traitor in her country’s history, however.

Traitor. Gaddar.

Desh ke gaddaro ko –
Goli maro salon ko!

The Saffron Guard was baying outside Chanakya Hotel. Rakesh Sharma did not hear it, however. He was embracing the snow-white body of Jiang Qing’s niece, lying under the snow-white quilt in the centrally air-conditioned suite of an international hotel. China was erasing a history under that quilt and India was writing a new history.




 

Comments

  1. History repeats itself. Only difference is in China cats got killed. In India people are getting killed in the name of the cow. And trouble in our country is we are confused about who the gaddars are. Well written Tòm.

    ReplyDelete
    Replies
    1. Mao started with sparrows, Jai. His boys killed thousands of sparrows because they were eating the grain! The Revolution killed people too. What was achieved in the end?

      Thanks for joining me here.

      Delete

Post a Comment

Popular posts from this blog

The Adventures of Toto as a comic strip

  'The Adventures of Toto' is an amusing story by Ruskin Bond. It is prescribed as a lesson in CBSE's English course for class 9. Maggie asked her students to do a project on some of the lessons and Femi George's work is what I would like to present here. Femi converted the story into a beautiful comic strip. Her work will speak for itself and let me present it below.  Femi George Student of Carmel Public School, Vazhakulam, Kerala Similar post: The Little Girl

The Little Girl

The Little Girl is a short story by Katherine Mansfield given in the class 9 English course of NCERT. Maggie gave an assignment to her students based on the story and one of her students, Athena Baby Sabu, presented a brilliant job. She converted the story into a delightful comic strip. Mansfield tells the story of Kezia who is the eponymous little girl. Kezia is scared of her father who wields a lot of control on the entire family. She is punished severely for an unwitting mistake which makes her even more scared of her father. Her grandmother is fond of her and is her emotional succour. The grandmother is away from home one day with Kezia's mother who is hospitalised. Kezia gets her usual nightmare and is terrified. There is no one at home to console her except her father from whom she does not expect any consolation. But the father rises to the occasion and lets the little girl sleep beside him that night. She rests her head on her father's chest and can feel his heart...

Are human systems repressive?

Salma I had never heard of Salma until she was sent to the Rajya Sabha as a Member of the Parliament by Tamil Nadu a couple of weeks back and a Malayalam weekly featured her on the cover with an interview. Salma’s story made me think on the nature of certain human systems and organisations including religion. Salma was born Rajathi Samsudeen. Marriage made her Rukiya, because her husband’s family didn’t think of Rajathi as a Muslim name. Salma is the pseudonym she chose as a writer. Salma’s life was always controlled by one system or another. Her religion and its ruthlessly patriarchal conventions determined the crests and troughs of her life’s waves. Her schooling ended the day she chose to watch a movie with a friend, another girl whose education was stopped too. They were in class 9. When Rajathi protested that her cousin, a boy, was also watching the same movie at the same time in the same cinema hall, her mother’s answer was, “He’s a boy; boys can do anything.” Rajathi was...

The Real Enemies of India

People in general are inclined to pass the blame on to others whatever the fault.  For example, we Indians love to blame the British for their alleged ‘divide-and-rule’ policy.  Did the British really divide India into Hindus and Muslims or did the Indians do it themselves?  Was there any unified entity called India in the first place before the British unified it? Having raised those questions, I’m going to commit a further sacrilege of quoting a British journalist-cum-historian.  In his magnum opus, India: a History , John Keay says that the “stock accusations of a wider Machiavellian intent to ‘divide and rule’ and to ‘stir up Hindu-Muslim animosity’” levelled against the British Raj made little sense when the freedom struggle was going on in India because there really was no unified India until the British unified it politically.  Communal divisions existed in India despite the political unification.  In fact, they existed even before the Briti...

Roles we Play

When I saw the above picture of Narendra Modi in the latest issue of India Today , what rushed to my mind instantly was a Malayalam film song Veshangal Janmangal … Life is a series of roles dressed up for the occasion. There are different costumes for celebrations and mourning, and there are people who can shed one and move into the other instantly. Are your smiles genuine? Do your tears mean sadness? Or, are they all costumes that suit the occasion? Are you just an actor who plays certain roles? Is the entire cosmos just a gigantic theatre for you? Where can we find the real you beneath all the costumes you keep changing day in and day out? Have you relinquished dharma in favour of cravings? Truth over expediency?