Skip to main content

Ancient Cities of India


Book Review

Going back to the historical roots of mythological places can be a fascinating exercise for lovers of both mythology and history. Sayan Bhattacharya has done an eminent job in his e-book, Ancient Cities of India, bringing us both the history and mythology of some of the prominent cities mentioned in our great epics.

   The book begins with the disclaimer that it is not “a wholly authenticated version of mythology and history as it is merely a compilation of information from various sources and re-telling of historical events…” It is not possible for anyone to provide “wholly authenticated” history of the places that existed a few thousand years ago. One has to work with whatever archaeological evidences available and historical references made by later travellers and writers.

   Bhattacharya brings alive the ancient cities as they existed during the times of the Mahabharata and the Ramayana. He narrates how the names of many of these cities underwent evolution as time passed. For example, the name of Lahore is traced back to Lav, son of Lord Rama. “By the end of his reign, Lord Rama and his family were credited with establishing many cities and towns as they kept visiting various parts of their kingdom,” says the book. “One such city was Lavpur, in the basin of the Jhelum River, credited to Lav, son of Lord Rama, as the founder. Lavpur grew in its settlements with Brahmins comprising the majority of its population. There was a temple erected and devoted to Lav in the city, which stands even today empty inside the Lahore fort as the Lav temple.”

   The author then goes on to show how the later Rajput settlers pronounced Lav as Loh and the city came to be called Lohkot, kot referring to the fort built by the settlers. Later settlers during the Vedic period changed the name to Lohawar, awar being the corrupted form of the Sanskrit word for fort (awarna).

  Bhattacharya has taken much care to bring available historical evidences wherever required. Though Krishna’s Dwaraka was submerged by the ocean, the ruins of the city found in the Bay of Cambay may be the ancient Dwaraka, according to Indian archaeologist S S Rao.

   Quite many of the ancient cities described in the book were eventually marauded by Muslim invaders. Many of them are not even in India today. Bhattacharya’s book presents cities which are now in Pakistan and Afghanistan, regions which fall in the Great Indian subcontinent that the Hindutva adherents long to reclaim. The disclaimer at the beginning of the book states that “Neither the author nor this work (eBook and the original blog-posts on the subject) does in any way intend to hurt, damage or counter any religious, patriotic or nationalist beliefs and sentiments of any of its readers or the public at large.” The tone of the book does not in any way contradict the disclaimer. But the present day revanchists in the country may find enough fuel in the book if they wish to.

   The book can be good reference material for those who genuinely wish to know the history of the cities mentioned in India’s great epics. It can also teach us why it is not a good idea to maraud cities that mark a particular civilisation. Cities belong to history and those who wish to create a new history should rather create new cities than demolish existing ones especially in times when demolitions will be recorded for posterities.

   Towards the end of the book, the author devotes one chapter to the Chinese traveller Xuanzang (Hieuen Tsang) who was impressed by the magnanimity of the contemporary Indian King Harsha towards all religions and people. “History does not present another example of a king who gave away his wealth so freely to the believers and the needy, as did this king…” Bhattacharya quotes Xuanzang. Maybe our present day leaders can draw a lesson from the ancient Harsha.

The book is available for free download here.


Top post on IndiBlogger, the biggest community of Indian Bloggers

Comments

  1. Good to know about the book,have downloaded it, will read for sure.

    ReplyDelete
  2. interesting historical informative post sharing

    ReplyDelete
  3. Thank you Tomichan for your detailed review and positive comments on my eBook. I am humbled at your appreciation of my work.. Thank you for sharing.

    ReplyDelete

Post a Comment

Popular posts from this blog

The Adventures of Toto as a comic strip

  'The Adventures of Toto' is an amusing story by Ruskin Bond. It is prescribed as a lesson in CBSE's English course for class 9. Maggie asked her students to do a project on some of the lessons and Femi George's work is what I would like to present here. Femi converted the story into a beautiful comic strip. Her work will speak for itself and let me present it below.  Femi George Student of Carmel Public School, Vazhakulam, Kerala Similar post: The Little Girl

The Ugly Duckling

Source: Acting Company A. A. Milne’s one-act play, The Ugly Duckling , acquired a classical status because of the hearty humour used to present a profound theme. The King and the Queen are worried because their daughter Camilla is too ugly to get a suitor. In spite of all the devious strategies employed by the King and his Chancellor, the princess remained unmarried. Camilla was blessed with a unique beauty by her two godmothers but no one could see any beauty in her physical appearance. She has an exquisitely beautiful character. What use is character? The King asks. The play is an answer to that question. Character plays the most crucial role in our moral science books and traditional rhetoric, religious scriptures and homilies. When it comes to practical life, we look for other things such as wealth, social rank, physical looks, and so on. As the King says in this play, “If a girl is beautiful, it is easy to assume that she has, tucked away inside her, an equally beauti...

Helpless Gods

Illustration by Gemini Six decades ago, Kerala’s beloved poet Vayalar Ramavarma sang about gods that don’t open their eyes, don’t know joy or sorrow, but are mere clay idols. The movie that carried the song was a hit in Kerala in the late 1960s. I was only seven when the movie was released. The impact of the song, like many others composed by the same poet, sank into me a little later as I grew up. Our gods are quite useless; they are little more than narcissists who demand fresh and fragrant flowers only to fling them when they wither. Six decades after Kerala’s poet questioned the potency of gods, the Chief Justice of India had a shoe flung at him by a lawyer for the same thing: questioning the worth of gods. The lawyer was demanding the replacement of a damaged idol of god Vishnu and the Chief Justice wondered why gods couldn’t take care of themselves since they are omnipotent. The lawyer flung his shoe at the Chief Justice to prove his devotion to a god. From Vayalar of 196...

The Real Enemies of India

People in general are inclined to pass the blame on to others whatever the fault.  For example, we Indians love to blame the British for their alleged ‘divide-and-rule’ policy.  Did the British really divide India into Hindus and Muslims or did the Indians do it themselves?  Was there any unified entity called India in the first place before the British unified it? Having raised those questions, I’m going to commit a further sacrilege of quoting a British journalist-cum-historian.  In his magnum opus, India: a History , John Keay says that the “stock accusations of a wider Machiavellian intent to ‘divide and rule’ and to ‘stir up Hindu-Muslim animosity’” levelled against the British Raj made little sense when the freedom struggle was going on in India because there really was no unified India until the British unified it politically.  Communal divisions existed in India despite the political unification.  In fact, they existed even before the Briti...

Our gods must have died laughing

A friend forwarded a video clip this morning. It is an extract from a speech that celebrated Malayalam movie actor Sreenivasan delivered years ago. In the year 1984, Sreenivasan decided to marry the woman he was in love with. But his career in movies had just started and so he hadn’t made much money. Knowing his financial condition, another actor, Innocent, gave him Rs 400. Innocent wasn’t doing well either in the profession. “Alice’s bangle,” Innocent said. He had pawned or sold his wife’s bangle to get that amount for his friend. Then Sreenivasan went to Mammootty, who eventually became Malayalam’s superstar, to request for help. Mammootty gave him Rs 2000. Citing the goodness of the two men, Sreenivasan said that the wedding necklace ( mangalsutra ) he put ceremoniously around the neck of his Hindu wife was funded by a Christian (Innocent) and a Muslim (Mammootty). “What does religion matter?” Sreenivasan asks in the video. “You either refuse to believe in any or believe in a...