Skip to main content

Truth and Justice


Maggie and I decided to watch a movie during this weeklong Christmas break from school. Our natural choice was Neru, Malayalam movie directed by the illustrious Jeethu Joseph of Drishyam (dubbed or remade successfully into many Indian languages including Hindi) fame. Neru means truth. The movie is about both truth and justice both of which are inextricably intertwined and neither of which is quite available nowadays, especially in a country where the values of the Mahabharat war are upheld as just. And what is that value: everything is fair in war, and life is a perpetual war.

Sara, a young blind girl, is raped in her house in Thiruvananthapuram by Michael Joseph, son of an affluent Malayali businessman in Mumbai. Sara, being an exceptionally gifted sculptor, makes a lifelike bust of the rapist which helps in the prompt arrest of the culprit. The police officer who arrests Michael is soon relieved of his charge. This is India, after all. Everything is fair in life’s war here provided you have the wealth to buy that fairness. The rest of the movie is a question hurled at that popular assumption of today’s India: is everything really fair in life even if it is a metaphorical war?

Michael’s father rushes from Mumbai with his immense wealth and the best lawyer. Michael knows that wealth and political influence (which is readily available if you have the monies) will get him freedom sooner rather than later. This is not his first rape case anyway. “But this is Kerala, not Mumbai,” his father reminds his mother who insists on getting his son out on bail promptly.

The system is not too different in Kerala either. Politicians aren’t very different whether they are from Kerala or Gujarat. But this movie is slightly different from the others of the kind insofar as it doesn’t involve politicians explicitly. Here the lawyers take over the role of politicians. Advocate Rajashekar will lead the war and show us with the aplomb of Patriarch Bhishma that dharma is so subtle that it can be manipulated pretty easily. This advocate possesses also the intellectual acumen of Krishna. So Sudarshana Chakra and Gandiva and all sorts of legal arms and arrows will fly in the court.

The victim’s side has its own avatar of Karna, advocate Vijayamohan, who was discredited by the crooked dharma-strategies of Rajashekar many years ago. In this movie’s epic war, Karna wins.

This is my personal application of the epic to this movie. The movie makes absolutely no reference to any character from Mahabharata. The good vs evil theme in the movie made me impose some parallels.

I have wished time and again that Karna should have been the real hero of Mahabharata. He possessed the virtues required for a hero. But why did the creator of that epic discredit Karna? The answer is obvious: the requirement of the system. The creators of the system should win in the end. It is they who win in real life. Jeethu Joseph is making a movie and hence the good has to win, truth has to win, justice has to prevail.

If truth and justice don’t prevail, what good is art, right?  

Comments

  1. Hari OM
    The equivalent, for your western readers, would be the David v Goliath thing ... the hashtag me too movement. Yes, in art we can have fairytale endings, but the truth is that the greater number of any such case is lost by those against whom the offence was made, if the offender is of status and money. YAM xx

    ReplyDelete
    Replies
    1. When the present dispensation came we in India hoped for a change for the better. But what we got is the terrible deviousness of the Kurukshetra!

      Delete
  2. May good win and bring peace with it!

    ReplyDelete
  3. Interesting premise for a movie. Very true to life.

    ReplyDelete
  4. Yes to that. What good indeed. I like stories that get you thinking like this.

    ReplyDelete
  5. Thanks for your review, Not yet watch Neru, will watch soon.

    ReplyDelete
  6. I too recently watched this in theatres.i am a huge fan of crime and thriller. Film made me emotional. Great sequence of dialog and plot

    ReplyDelete
  7. If truth and justice don't prevail, what good is art, indeed!!! I have not seen this movie but i will be. The most profund line here was about how subtle Dharma is that it can be twisted. I find that so, so true. And tragic.

    ReplyDelete

Post a Comment

Popular posts from this blog

The Adventures of Toto as a comic strip

  'The Adventures of Toto' is an amusing story by Ruskin Bond. It is prescribed as a lesson in CBSE's English course for class 9. Maggie asked her students to do a project on some of the lessons and Femi George's work is what I would like to present here. Femi converted the story into a beautiful comic strip. Her work will speak for itself and let me present it below.  Femi George Student of Carmel Public School, Vazhakulam, Kerala Similar post: The Little Girl

The Little Girl

The Little Girl is a short story by Katherine Mansfield given in the class 9 English course of NCERT. Maggie gave an assignment to her students based on the story and one of her students, Athena Baby Sabu, presented a brilliant job. She converted the story into a delightful comic strip. Mansfield tells the story of Kezia who is the eponymous little girl. Kezia is scared of her father who wields a lot of control on the entire family. She is punished severely for an unwitting mistake which makes her even more scared of her father. Her grandmother is fond of her and is her emotional succour. The grandmother is away from home one day with Kezia's mother who is hospitalised. Kezia gets her usual nightmare and is terrified. There is no one at home to console her except her father from whom she does not expect any consolation. But the father rises to the occasion and lets the little girl sleep beside him that night. She rests her head on her father's chest and can feel his heart...

Ram, Anandhi, and Co

Book Review Title: Ram C/o Anandhi Author: Akhil P Dharmajan Translator: Haritha C K Publisher: HarperCollins India, 2025 Pages: 303 T he author tells us in his prefatory note that “this (is) a cinematic novel.” Don’t read it as literary work but imagine it as a movie. That is exactly how this novel feels like: an action-packed thriller. The story revolves around Ram, a young man who lands in Chennai for joining a diploma course in film making, and Anandhi, receptionist of Ram’s college. Then there are their friends: Vetri and his half-sister Reshma, and Malli who is a transgender. An old woman, who is called Paatti (grandmother) by everyone and is the owner of the house where three of the characters live, has an enviably thrilling role in the plot.   In one of the first chapters, Ram and Anandhi lock horns over a trifle. That leads to some farcical action which agitates Paatti’s bees which in turn fly around stinging everyone. Malli, the aruvani (transgender), s...

The Blind Lady’s Descendants

Book Review Title: The Blind Lady’s Descendants Author: Anees Salim Publisher: Penguin India 2015 Pages: 301 Price: Rs 399 A metaphorical blindness is part of most people’s lives.  We fail to see many things and hence live partial lives.  We make our lives as well as those of others miserable with our blindness.  Anees Salim’s novel which won the Raymond & Crossword award for fiction in 2014 explores the role played by blindness in the lives of a few individuals most of whom belong to the family of Hamsa and Asma.  The couple are not on talking terms for “eighteen years,” according to the mother.  When Amar, the youngest son and narrator of the novel, points out that he is only sixteen, Asma reduces it to fifteen and then to ten years when Amar refers to the child that was born a few years after him though it did not survive.  Dark humour spills out of every page of the book.  For example: How reckless Akmal was! ...

A Curious Case of Food

From CNN  whose headline is:  Holy cow! India is the world's largest beef exporter The Curious Incident of the Dog in the Night-Time by Mark Haddon is perhaps the only novel I’ve read in which food plays a significant, though not central, role, particularly in deepening the reader’s understanding of Christopher Boone’s character. Christopher, the protagonist, is a 15-year-old autistic boy. [For my earlier posts on the novel, click here .] First of all, food is a symbol of order and control in the novel. Christopher’s relationship with food is governed by strict rules and routines. He likes certain foods and detests a few others. “I do not like yellow things or brown things and I do not eat yellow or brown things,” he tells us innocently. He has made up some of these likes and dislikes in order to bring some sort of order and predictability in a world that is very confusing for him. The boy’s food preferences are tied to his emotional state. If he is served a breakfast o...