Book Review
Iran witnessed revolutions
based on communism as well as Islam.
Like all revolutions, they had their share of bloodshed and frenzy,
narrow perspectives and flatulence. Revolutions make heroes of some and victims of
many others. Opportunists fish in the
troubled waters and reap rich dividends.
In the end, nothing really changes for the majority for whom one form of
oppression is replaced with another.
In The Book of Fate, Persian writer Parinoush Saniee tells us the story
of both the revolutions that rocked Iran.
The story is narrated by Massoumeh who is a young school-going girl at
the beginning of the novel. She is 53 at
the end. The novel is essentially about
her painful experiences in a country which has too many rules for women. Girls are meant only for procreation and
education is not required for that.
Girls should not reveal their teeth while laughing, nor can they laugh
loud. They are not even allowed an
identity: their face has to be concealed behind the veil. The father, then the husband, and then the
sons – there’s always a man who will determine how the woman should live. The novel is a scathing critique of the
various forms of oppression that the women are made to undergo from childhood
till death.
Massoumeh is not allowed
to marry the man whom she loves. Her
brothers who claim to be very religious choose her husband. Their original choice is a butcher with no
sense of morality or respect for others.
Thanks to a more sensible neighbour, with whom one of the brothers of
Massoumeh has an illicit affair, Massoumeh gets a better husband in the person
of Hamid. Hamid is a communist
revolutionary, however, and has absolutely no sense of family obligations. He thinks that a revolutionary should have no
attachments to family members.
While Hamid is blinded by
ideology, Massoumeh’s brothers are blinded by religion. Hamid will eventually become a hero for a
brief period when Communists secure certain supremacy in the country. But he will finally meet the fate that awaits
revolutionaries in general. One of the religious
brothers of Massoumeh will succumb to drug addiction and another becomes an
opportunist who will make his profits whether it is the Communists who are
leading or the religious fundamentalists.
“Every human being has the
right to decide how to live his or her life.”
That’s the dominant theme of the novel.
But the novel shows how this right is denied to most individuals,
especially the women in Iran, by religious leaders. The novel also shows the hypocrisy of the
religious leaders many of whom are really not motivated by religion. Even if they are, they have little
understanding of the religion.
The novel is a moving tale
which has its moments of dramatic heights and intellectual depths. Towards the end it becomes slightly preachy
and Massoumeh’s ‘lectures’ may remind us of the powerful sermons delivered by
some of Ayn Rand’s characters. Sample
this:
People love creating heroes.
They make someone big so that they can hide behind them, so that he will
speak for them, so that in case of danger he will be their shield, suffer their
punishments and give them time to escape.
Such rhetoric
notwithstanding, the novel is a powerful tale which grips the reader’s
attention right from page one to the last.
It is easy to read. It forces us
to take a different look at ideologies such as Communism and also at religion
in its various avatars. It makes us
wonder why most human pursuits, ideological or religious, tend to be highly
superficial in the final analysis. It
makes us wonder why simple goodness is condemned to become a victim in the
world of ideologues and religionists.
Sara Khalili’s translation
is fairly good though there are places where the sentences sound awkward. That’s not a serious flaw, however.
The novel is published in
India by Hachette.
Pages: 447
Price: Rs 399
The English translation
was originally published in Great Britain in 2013
Well analysed and reviewed.
ReplyDeleteThats a very well-written review.
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