Skip to main content

History and Fiction

Book Review

Title: Conversations with Aurangzeb

Author: Charu Nivedita

Translated from Tamil by Nandini Krishnan

Publisher: HarperCollins India, 2023

Pages: 335

History claims to give us truths and fiction really gives us glimpses into truths. Tamil novelist Charu Nivedita’s Conversations with Aurangzeb is in fact history masquerading as a novel. It is fiction inasmuch as Aurangzeb makes an apparition through a medium to the narrator who is a writer doing some research for his next novel. But it is not a novel because there is nothing that can be called a plot. It’s all conversation between the narrator and the spirit of the Mughal emperor. Occasionally a few other characters make their appearances, but they don’t add anything to the plot.

How much can we trust history? This is the question that the writer explores in this novel. It is a cliché that history is written by the winners. It gets rewritten when new winners emerge. For example, India’s history is being rewritten by the present regime and the old heroes such as Jawaharlal Nehru and Mahatma Gandhi are often projected as villains in the new history.

Ashoka is a hero in this new history too. But was he really heroic? Aurangzeb tells the narrator: “… the greatest villain in the history of Hindustan was Emperor Ashoka.” No other ruler of Hindustan has done as much harm to ‘The Sanatan Marg’ as did Ashoka, according to this novel’s protagonist. Ashoka outdid even the Dravida movement, says Aurangzeb, in hating and sidelining the Brahmins. Ashoka was a great salesman, of himself. His edicts and pillars and other inscriptions were all self-propaganda. He made sure that his reputation lasted for centuries. Ashoka knew how to advertise himself better than India’s present ruler.

Aurangzeb proves to the narrator that he was far less harmful to the Hindus than the other Mughal emperors. Akbar who is often portrayed as a very tolerant emperor was in fact driven by lust. He wanted to marry many Rajput beauties; so an amicable relationship was required with that community. His tolerance was motivated by that, says Aurangzeb. The Mughal emperors were all ruthless people as most rulers are. A “good and just ruler” is “an oxymoron.” Is there even one single Mughal emperor who did not kill his own brothers, and even father in some cases, for the sake of ascending the throne?

Such brutality and ruthlessness notwithstanding, the Mughals were not as vile as some of the characters in the Mahabharata, says Aurangzeb. “When I read of that war,” he says, “my cruellest deeds appear as nothing before it.” Even the gods are so deceptive in that war. So much adharma is perpetrated for the sake of bringing dharma!

The novel brings in contemporary politics too occasionally, often satirically. Just one example. India does not value its writers these days. But Chile does very much. Aurangzeb and the narrator visit Chile to see how writers are respected and treasured in that country. But Aurangzeb is quite displeased with the prostitution practised there. So he performs a miracle of sorts. He can do that since he is a spirit. But the credit for that goes to Narendra Modi. When the Chilean president makes certain amendments in the country’s rules and regulations because of what Aurangzeb did, Narendra Modi appreciates it and thanks the president. Many Indians soon claim that the changes in Chile are brought about “by Modi’s efforts and celebrate their dear leader for yet another political feat.”

This book is quite different from all the books that we are familiar with. You can’t classify it as fiction. It is not history either. It is both. Yet it is not historical fiction in the traditional sense. There is lot of humour in it. Irony too. Paradoxes too. It makes us question a lot of our notions about history and truth. That, I believe, is the writer’s purpose. And he succeeds eminently in that.

PS. A day after I posted the above review, I remember I missed something important. The biggest propaganda against Aurangzeb in today's India is that he was a destroyer of Hindu temples. This novel shows Aurangzeb as far more moral and tolerant than many other Mughals. Destruction of certain places of worships was a common strategy in those days. Many rulers resorted to that just to show people that they were more powerful than certain gods. It was a political ploy and little more. Remember the number of Christian churches attacked and destroyed in North India soon after Narendra Modi came to power in 2014? Mr Modi has even permitted some people to worship him as a god in a Gujarat temple! Aurangzeb didn't go to that extent. 

Comments

  1. It sounds different. It sounds like it made you think.

    ReplyDelete
  2. Replies
    1. Yes. The author has attached a rather detailed bibliography at the end. He did quite some research before writing this.

      Delete
  3. The question that I always ask myself is " Is history that we learn and teach true?" guess we can only find it out by inventing the time machine. But the authors take and observation that you have shared here is intriguing, I will be reading this book in the near future. and yes Indian's do not give enough support to Indian writers but this applies to every art and sports form, hope and wish to see a difference in the future. as long as teachers like to exist it will come true. Have a good one, take care.

    ReplyDelete
    Replies
    1. History is not what it seems to be, I think. It's always colored by the writer's perspectives.

      Delete
  4. It's also a book that can trigger someone. What do you think about that?

    ReplyDelete
    Replies
    1. If you mean bigots and such people whose sentiments are as sensitive as toilet seats, well, such people don't read anything worthwhile and so there's no problem. If such people fo read some good literature, the world will be a much happier place.

      Delete
  5. I read historical fiction quite often.

    ReplyDelete
    Replies
    1. Double benefits: peeps into history and also relish literature.

      Delete

Post a Comment

Popular posts from this blog

Ayodhya: Kingdom of Sorrows

T he Sarayu carried more tears than water. Ayodhya was a sad kingdom. Dasaratha was a good king. He upheld dharma – justice and morality – as best as he could. The citizens were apparently happy. Then, one day, it all changed. One person is enough to change the destiny of a whole kingdom. Who was that one person? Some say it was Kaikeyi, one of the three official wives of Dasaratha. Some others say it was Manthara, Kaikeyi’s chief maid. Manthara was a hunchback. She was the caretaker of Kaikeyi right from the latter’s childhood; foster mother, so to say, because Kaikeyi had no mother. The absence of maternal influence can distort a girl child’s personality. With a foster mother like Manthara, the distortion can be really bad. Manthara was cunning, selfish, and morally ambiguous. A severe physical deformity can make one worse than all that. Manthara was as devious and manipulative as a woman could be in a men’s world. Add to that all the jealousy and ambition that insecure peo...

Abdullah’s Religion

O Abdulla Renowned Malayalam movie actor Mohanlal recently offered special prayers for Mammootty, another equally renowned actor of Kerala. The ritual was performed at Sabarimala temple, one of the supreme Hindu pilgrimage centres in Kerala. No one in Kerala found anything wrong in Mohanlal, a Hindu, praying for Mammootty, a Muslim, to a Hindu deity. Malayalis were concerned about Mammootty’s wellbeing and were relieved to know that the actor wasn’t suffering from anything as serious as it appeared. Except O Abdulla. Who is this Abdulla? I had never heard of him until he created an unsavoury controversy about a Hindu praying for a Muslim. This man’s Facebook profile describes him as: “Former Professor Islahiaya, Media Critic, Ex-Interpreter of Indian Ambassador, Founder Member MADHYAMAM.” He has 108K followers on FB. As I was reading Malayalam weekly this morning, I came to know that this Abdulla is a former member of Jamaat-e-Islami Hind Kerala , a fundamentalist organisation. ...

Lucifer and some reflections

Let me start with a disclaimer: this is not a review of the Malayalam movie, Lucifer . These are some thoughts that came to my mind as I watched the movie today. However, just to give an idea about the movie: it’s a good entertainer with an engaging plot, Bollywood style settings, superman type violence in which the hero decimates the villains with pomp and show, and a spicy dance that is neatly tucked into the terribly orgasmic climax of the plot. The theme is highly relevant and that is what engaged me more. The role of certain mafia gangs in political governance is a theme that deserves to be examined in a good movie. In the movie, the mafia-politician nexus is busted and, like in our great myths, virtue triumphs over vice. Such a triumph is an artistic requirement. Real life, however, follows the principle of entropy: chaos flourishes with vengeance. Lucifer is the real winner in real life. The title of the movie as well as a final dialogue from the eponymous hero sugg...

Empuraan and Ramayana

Maggie and I will be watching the Malayalam movie Empuraan tomorrow. The tickets are booked. The movie has created a lot of controversy in Kerala and the director has decided to impose no less than 17 censors on it himself. I want to watch it before the jingoistic scissors find its way to the movie. It is surprising that the people of Kerala took such exception to this movie when the same people had no problem with the utterly malicious and mendacious movie The Kerala Story (2023). [My post on that movie, which I didn’t watch, is here .] Empuraan is based partly on the Gujarat riots of 2002. The riots were real and the BJP’s role in it (Mr Modi’s, in fact) is well-known. So, Empuraan isn’t giving the audience any falsehood as The Kerala Story did. Moreover, The Kerala Story maligned the people of Kerala while Empuraan is about something that happened in the faraway Gujarat quite long ago. Why are the people of Kerala then upset with Empuraan ? Because it tells the truth, M...

Empuraan – Review

Revenge is an ancient theme in human narratives. Give a moral rationale for the revenge and make the antagonist look monstrously evil, then you have the material for a good work of art. Add to that some spices from contemporary politics and the recipe is quite right for a hit movie. This is what you get in the Malayalam movie, Empuraan , which is running full houses now despite the trenchant opposition to it from the emergent Hindutva forces in the state. First of all, I fail to understand why so much brouhaha was hollered by the Hindutvans [let me coin that word for sheer convenience] who managed to get some 3 minutes censored from the 3-hour movie. The movie doesn’t make any explicit mention of any of the existing Hindutva political parties or other organisations. On the other hand, Allahu Akbar is shouted menacingly by Islamic terrorists, albeit towards the end. True, the movie begins with an implicit reference to what happened in Gujarat in 2002 after the Godhra train burnin...