Skip to main content

We: The Losers

 


Hamlet was a loser and a hero. Faced with a shocking evil – the murder of his father by father’s own brother who marries the victim’s wife even before the mourning is over – Hamlet wavers between violent vindictiveness and philosophical inaction. He can raise a question like “To be or not to be?” and contemplate on it endlessly when the wretched life around him demands prompt and stern action. This young man who is insistent on proving his uncle’s guilt indubitably before wreaking vengeance can be impulsive too. He can draw his sword and drive it straight into the man hiding behind a screen without even bothering to find out the man’s identity and purpose of hiding. At one moment he can address his beloved Ophelia as a fair nymph and at the next he can hurl insulting questions on to her face: “Are you honest?” “Are you fair?”

Is Hamlet a real hero? He does not possess qualities that belong to people whom history venerates as heroes. Yet Hamlet has continued to enchant audiences for centuries. Why?

Geniuses like Shakespeare present Hamlet to us in such a way that we are fascinated. We are fascinated by his failures. His failures are our own potential failures. Hamlet and other such characters (Jude the Obscure or Madame Bovary or Anna Karenina) hold up a mirror – nay, a lens – to ourselves. We see our frailties in that mirror or through that lens. We are all losers in many ways. Our flaws and frailties are what Hamlet lives on the stage. Helplessly oftentimes. Is he a born loser? Is there a “tragic flaw” embedded in his DNA so that he cannot but fail?

Aren’t all of us similar to Hamlet one way or the other with our own flaws? Aren’t we failing again and again? It may not be a wicked uncle or a treacherous mother that jabs their boots into the ribs of our flaccid moral sense. It may be a corrupt government. It may be an exploitative system. It may be a neighbourhood thug. We keep sponging up the insults and humiliations and injustices. Since these are not usually directed specifically at us but at a whole society or community or the nation itself, it is easy for us to ignore them. But they are there. Always. And we are the losers because of that. Sometimes our losses may be more personal too.

Even if we don’t have the talent of a Sophocles or Shakespeare, we can tell the stories of our loss and error. We will redeem ourselves that way from the insult of an existence in a system that dehumanises us. More than that, if we learn to see other people as the great losers whose stories have not been discovered by a Shakespeare yet, they too will become heroes instead of ordinary losers. Losers are potential heroes too.

PS. This post is a part of Blogchatter Half Marathon.

Comments

  1. Of course we are losers in the present scenario at least ! And I agree, we make characters like Hamlet or the Indian Devdas memorable because we see a reflection of our own shelves in them.

    ReplyDelete
    Replies
    1. Yet there could be more winners even in India if only our leaders cared.

      Delete
  2. Hari OM
    Well said... similar discussion could be had in the UK, if not as tragic as is occurring in India. Perhaps ours is closer to the parody that is a Midsummer Nights Mare..errrr. Dream.... and we all hope that we are going to wake up from it.... YAM xx

    ReplyDelete
    Replies
    1. Midsummer nightmare is what's going on even in India.

      Delete
  3. As always, a brilliant post.
    The tragic reality is that even when we identify the flaws in characters and others, training the same lens on ourselves happens very rarely. And even less collectively--as a society.
    Although literary geniuses portrayed human flaws in plays/stories to act as a mirror, yet (unlike the reaction to the play Hamlet put up for his mother and uncle) the audience fails to see their own reflection!
    Perhaps, that is why we fail to find the courage to act on time and instead, like Hamlet, continue to justify our inactions through rhetoric and poetry.

    ReplyDelete
    Replies
    1. 🙏
      You were missed in the last week.

      And this observation about Hamlet's play (within the play) is really charming.

      Delete
  4. Since the world worships winners only and in the case of most of the winners, success (win) goes to your head in such a way that they can never appreciate losers. Losers, therefore, become heroes of losers only. Albeit, it happens that some losers become heroes for others long after they cease to exist in the world. Before signing off, let me assert that I endorse the thought presented through this post because I worship virtues and not successes. Broken dreams don't lose their significance just because of getting broken. They deserve to be cherished in the hearts of the dreamers (at least).

    ReplyDelete
    Replies
    1. You console a lot of people, especially the losers like me. :)

      Delete

Post a Comment

Popular posts from this blog

The Adventures of Toto as a comic strip

  'The Adventures of Toto' is an amusing story by Ruskin Bond. It is prescribed as a lesson in CBSE's English course for class 9. Maggie asked her students to do a project on some of the lessons and Femi George's work is what I would like to present here. Femi converted the story into a beautiful comic strip. Her work will speak for itself and let me present it below.  Femi George Student of Carmel Public School, Vazhakulam, Kerala Similar post: The Little Girl

The Little Girl

The Little Girl is a short story by Katherine Mansfield given in the class 9 English course of NCERT. Maggie gave an assignment to her students based on the story and one of her students, Athena Baby Sabu, presented a brilliant job. She converted the story into a delightful comic strip. Mansfield tells the story of Kezia who is the eponymous little girl. Kezia is scared of her father who wields a lot of control on the entire family. She is punished severely for an unwitting mistake which makes her even more scared of her father. Her grandmother is fond of her and is her emotional succour. The grandmother is away from home one day with Kezia's mother who is hospitalised. Kezia gets her usual nightmare and is terrified. There is no one at home to console her except her father from whom she does not expect any consolation. But the father rises to the occasion and lets the little girl sleep beside him that night. She rests her head on her father's chest and can feel his heart...

Ram, Anandhi, and Co

Book Review Title: Ram C/o Anandhi Author: Akhil P Dharmajan Translator: Haritha C K Publisher: HarperCollins India, 2025 Pages: 303 T he author tells us in his prefatory note that “this (is) a cinematic novel.” Don’t read it as literary work but imagine it as a movie. That is exactly how this novel feels like: an action-packed thriller. The story revolves around Ram, a young man who lands in Chennai for joining a diploma course in film making, and Anandhi, receptionist of Ram’s college. Then there are their friends: Vetri and his half-sister Reshma, and Malli who is a transgender. An old woman, who is called Paatti (grandmother) by everyone and is the owner of the house where three of the characters live, has an enviably thrilling role in the plot.   In one of the first chapters, Ram and Anandhi lock horns over a trifle. That leads to some farcical action which agitates Paatti’s bees which in turn fly around stinging everyone. Malli, the aruvani (transgender), s...

The Blind Lady’s Descendants

Book Review Title: The Blind Lady’s Descendants Author: Anees Salim Publisher: Penguin India 2015 Pages: 301 Price: Rs 399 A metaphorical blindness is part of most people’s lives.  We fail to see many things and hence live partial lives.  We make our lives as well as those of others miserable with our blindness.  Anees Salim’s novel which won the Raymond & Crossword award for fiction in 2014 explores the role played by blindness in the lives of a few individuals most of whom belong to the family of Hamsa and Asma.  The couple are not on talking terms for “eighteen years,” according to the mother.  When Amar, the youngest son and narrator of the novel, points out that he is only sixteen, Asma reduces it to fifteen and then to ten years when Amar refers to the child that was born a few years after him though it did not survive.  Dark humour spills out of every page of the book.  For example: How reckless Akmal was! ...

A Curious Case of Food

From CNN  whose headline is:  Holy cow! India is the world's largest beef exporter The Curious Incident of the Dog in the Night-Time by Mark Haddon is perhaps the only novel I’ve read in which food plays a significant, though not central, role, particularly in deepening the reader’s understanding of Christopher Boone’s character. Christopher, the protagonist, is a 15-year-old autistic boy. [For my earlier posts on the novel, click here .] First of all, food is a symbol of order and control in the novel. Christopher’s relationship with food is governed by strict rules and routines. He likes certain foods and detests a few others. “I do not like yellow things or brown things and I do not eat yellow or brown things,” he tells us innocently. He has made up some of these likes and dislikes in order to bring some sort of order and predictability in a world that is very confusing for him. The boy’s food preferences are tied to his emotional state. If he is served a breakfast o...