Skip to main content

No Exit



Hell is other people. This is one of the most quoted sentences of Jean-Paul Sartre, French novelist and philosopher. No Exit is one of his short plays which ends with that sighing realisation: Hell is other people.

Three people arrive in hell after death: Garcin, Inez and Estelle. Garcin and Estelle pretend that they were condemned to perdition by mistake or unjustly. Inez is honest enough to admit that she was “a damned bitch” who had a homosexual affair with her cousin’s wife Florence. The cousin chose to kill himself under a tram and Florence turned on the gas killing herself and Inez.

Garcin is forced to admit that he was not the hero he pretended to be. He was a deserter in the time of war. Moreover he had been treating his wife abominably. He reached home night after night “stinking of wine and women”.

Estelle was from a poor family and hence accepted marriage with a man who was three times older than her but was rich. She had an affair with a young man with whom she had a child. She threw the child into a lake. Her lover shot himself. Now in hell Estelle is still worried about her physical appearance. Do I look beautiful? That’s her concern. She tries to seduce Garcin, the only man available to her in hell.

Garcin detests the women. He wants to be left alone. Estelle wants him while Inez wants Estelle. Lust doesn’t leave you even in hell, it seems. Nor does antipathy. After all, hell should be a meeting place of all possible vices. The worst vice is becoming an object of the other person’s gaze. The other person is constantly watching you. In hell, no one sleeps. It is an eternity of surveillance. You are being watched by the other all the time. That is hell. Garcin tries to escape from the room assigned to the three of them. He bangs on the door and rings the calling bell. There is no answer.

“We are inseparables,” says Inez. Estelle wants to push Inez out so that she can live with Garcin in that room in hell which has three sofas and no other facilities. The three condemned souls realise that they have no escape from that room. They have to live with one another. Estelle tries to kill Inez with the paper knife lying in the room. But the dead cannot be killed, you see.

“Kiss me,” Estelle tells Garcin. She says that the kiss will be the best revenge on Inez. As Garcin embraces the beautiful Estelle, Inez says, “What a lovely scene: coward Garcin holding baby killer Estelle in his manly arms!” A realisation descends on Garcin that “Hell is other people”.

All these characters are Christians for whom hell should be a place of fire and torture. But they realise that their catechism was all wrong. Devils and their tortures are not required to create hell. You are my hell and I am yours. You freeze me into a label and create my hell. I am a coward or baby killer or something like that for you. I am just a label that you give me. That label is my hell. You give me the label. You reduce me into that label. You are my hell.
 
A scene from the play: Source
PS. This is part of a series being written for the #BlogchatterA2Z Challenge. The previous parts are:
Tomorrow: The Old Man and the Sea


Comments

  1. Labelling, categorizing do create hell. They limit us. It is the starting point for prejudice.

    ReplyDelete
    Replies
    1. Yet most people love to do that for various reasons.

      Delete
  2. Own deeds, own past can create a hell for one and people are free to label it to make it worst. But aren't these the same people who are living in their own hell?
    Hell I suppose is nothing but a place that lacks love, care, compassion and empathy.
    This play stays true to the test of time! Timeless classic, I must say.

    ReplyDelete
    Replies
    1. You have defined hell rightly as a place without love and compassion. Sartre was indirectly saying we have converted our earth into just that. His philosophy of objectification of human beings by the gaze of the other is also reflected in this play.

      Delete
  3. The ambience of a place does depend on the people in it. Be it hell or heaven, they are people.

    ReplyDelete
  4. A simple analysis of an important book. I look forward to reading it.
    www.nooranandchawla.com

    ReplyDelete
  5. No Exit, truly! People like to dwell on vices than virtues! Isn't ours becoming a living hell besides a rare virtue here and there (and then we say now-a-days we don't get to see it much)?!

    ReplyDelete
    Replies
    1. True. Hell is already here. Virtue gives us occasional glimpses too.

      Delete
  6. The judgements of people can turn life into a living hell. Life should read...Compassion not judgement.
    The sad bit is we often live by the judgement of others. Hence the hell.

    ReplyDelete
  7. This book is very famous, but it sounds grim and depressing. Thanks for providing a summary of the novel.

    ReplyDelete
    Replies
    1. Sartre didn't think very highly of human nature and existence.

      Delete
  8. "I am just a label that you give me. That label is my hell. You give me the label. You reduce me into that label. You are my hell."...these lines are so very true indeed... That's what truly can define hell unless u decide to break lose out of this!!

    ReplyDelete
    Replies
    1. Breaking out is quite a tough job, but we can. We can choose our steps.

      Delete
  9. Wow! That's so profound, thought provoking and so true too. Yes, hell is other people, the labels they give... I have to read this one. Thanks for recommending No Exit!

    ReplyDelete

Post a Comment

Popular posts from this blog

The Adventures of Toto as a comic strip

  'The Adventures of Toto' is an amusing story by Ruskin Bond. It is prescribed as a lesson in CBSE's English course for class 9. Maggie asked her students to do a project on some of the lessons and Femi George's work is what I would like to present here. Femi converted the story into a beautiful comic strip. Her work will speak for itself and let me present it below.  Femi George Student of Carmel Public School, Vazhakulam, Kerala Similar post: The Little Girl

Remedios the Beauty and Innocence

  Remedios the Beauty is a character in Gabriel Garcia Marquez’s novel, One Hundred Years of Solitude . Like most members of her family, she too belongs to solitude. But unlike others, she is very innocent too. Physically she is the most beautiful woman ever seen in Macondo, the place where the story of her family unfolds. Is that beauty a reflection of her innocence? Well, Marquez doesn’t suggest that explicitly. But there is an implication to that effect. Innocence does make people look charming. What else is the charm of children? Remedios’s beauty is dangerous, however. She is warned by her great grandmother, who is losing her eyesight, not to appear before men. The girl’s beauty coupled with her innocence will have disastrous effects on men. But Remedios is unaware of “her irreparable fate as a disturbing woman.” She is too innocent to know such things though she is an adult physically. Every time she appears before outsiders she causes a panic of exasperation. To make...

The Death of Truth and a lot more

Susmesh Chandroth in his kitchen “Our sweetest songs are those that tell of saddest thought,” Poet Shelley told us long ago. I was reading an interview with a prominent Malayalam writer, Susmesh Chandroth, this morning when Shelley returned to my memory. Chandroth says he left Kerala because the state had too much of affluence which is not conducive for the production of good art and literature. He chose to live in Kolkata where there is the agony of existence and hence also its ecstasies. He’s right about Kerala’s affluence. The state has eradicated poverty except in some small tribal pockets. Today almost every family in Kerala has at least one person working abroad and sending dollars home making the state’s economy far better than that of most of its counterparts. You will find palatial houses in Kerala with hardly anyone living in them. People who live in some distant foreign land get mansions constructed back home though they may never intend to come and live here. There are ...

The Covenant of Water

Book Review Title: The Covenant of Water Author: Abraham Verghese Publisher: Grove Press UK, 2023 Pages: 724 “What defines a family isn’t blood but the secrets they share.” This massive book explores the intricacies of human relationships with a plot that spans almost a century. The story begins in 1900 with 12-year-old Mariamma being wedded to a 40-year-old widower in whose family runs a curse: death by drowning. The story ends in 1977 with another Mariamma, the granddaughter of Mariamma the First who becomes Big Ammachi [grandmother]. A lot of things happen in the 700+ pages of the novel which has everything that one may expect from a popular novel: suspense, mystery, love, passion, power, vulnerability, and also some social and religious issues. The only setback, if it can be called that at all, is that too many people die in this novel. But then, when death by drowning is a curse in the family, we have to be prepared for many a burial. The Kerala of the pre-Independ...

Koorumala Viewpoint

  Koorumala is at once reticent and coquettish. It is an emerging tourist spot in the Ernakulam district of Kerala. At an altitude of 169 metres from MSL, the viewpoint is about 40 km from Kochi. The final stretch of the road, about 2 km, is very narrow. It passes through lush green forest-looking topography. The drive itself is exhilarating. And finally you arrive at a 'Pay & Park' signboard on a rocky terrain. The land belongs to the CSI St Peter's Church. You park your vehicle there and walk up a concrete path which leads to a tiled walkway which in turn will take you the viewpoint. Below are some pictures of the place.  From the parking lot to the viewpoint The tiled walkway A selfie from near the view tower  A view from the tower Another view The tower and the rest mandap at the back Koorumala viewpoint is a recent addition to Kerala's tourist map. It's a 'cool' place for people of nearby areas to spend some leisure in splendid isolation from the hu...