Tomichan Matheikal's blog

One of the few surviving intellectuals, Umberto Eco, described the following as the characteristics of fascism. ·         The cult of Tradition: Elevation of a particular culture as superior to all others, rejection of modernism ·         Anti-intellectualism, irrationalism ·         Belief that disagreement is treason ·         Fear of difference ·         Appeal to a frustrated middle class, the fears and aspirations of the lower social groups are highlighted in order to accentuate the fears of the middle class ·         Obsession with a ‘plot’ and hyping up of an enemy threat: e.g. hatred of certain sections of the society ·         Aversion to pacifism ·         Contempt for the weak ·         Selective populism ·         ‘Newspeak’ or doublespeak meant to restrict critical thinking ·         Distorting history, blatantly lying, copious use of propaganda The Right Wing in India has been making ample use of all of the above ever since Mr Narendra Modi

  Job Job is one of the classical characters in the Old Testament of the Bible who is used by various preachers of Christianity to illustrate the ideals of patience, suffering and submission of the individual will to God’s will.  Job was a “perfect and upright man” and hence was a favourite of God.  He lived a rich and contented life with his good wife, seven sons, three daughters, countless servants, lot of land and herds of cattle.  The devil challenged God saying that if Job’s prosperity was taken away then he would lose his trust in God as well as his virtues.  God gives a free hand to the devil who goes on to wreck Job’s life totally.  Job’s cattle are stolen, servants have their throats slit by enemies, sheep are burnt to death, and his children are killed when a fierce storm knocks down his house.  When none of these tragedies succeeds in eroding Job’s trust in God, the devil inflicts a severe skin disease on him.  When Job scratches his worm-ridden body with a pie

Aristophanes, Greek playwright, was a contemporary of Socrates, the philosopher.  In his play, The Clouds , a philosopher named Socrates operates a ‘Thinkery’ which dismisses the gods. Socrates is questioned by his neighbour, a farmer. “Who makes it rain if there is no Zeus?” asks the farmer. “The clouds,” answers Socrates.  “If it were Zeus who made the rain, the clouds would not be required at all.  Zeus could make the rain from a clear sky too.” “It must be Zeus who moves the clouds to the sky,” insists the farmer. “No, you idiot,” says the impatient Socrates, “it’s the Convection-principle.” “Convection!” the farmer wonders whether that’s a new god.  “So Zeus is out and convection is in.  Tch, tch!”  He thinks awhile and asks, “What about the lightning?  It must be Zeus who sends the lightning to kill liars.” “It’s Zeus’s own temples that are frequently struck down by lightning,” mocks Socrates.  The philosopher goes on to demonstrate a large model of th

Philosopher Gabriel Marcel drew an interesting distinction between problem and mystery.  Problems have solutions, he said, while mysteries are to be enjoyed unsolved.  “Life is not a problem to be solved but a mystery to be lived” is an aphorism attributed to Marcel.  Too many things lie beyond our capacity for solutions.  The earthquakes and the cyclones belong to the nonhuman side of the universe, beyond human control.  When the variegated colours and sounds of nature enchant us we are immersing ourselves in the mystery of the same nonhuman universe.  The universe does not comprehend the difference between the shifting of the tectonic plates and the warbling of the nightingale, between a shipwreck and a swan’s neck.  The heavens are indifferent whether lightning strikes down the greatest monument or Beethoven composes the sweetest symphony.  The sense of wonder or despair belongs to the human consciousness.  The heavens are above and beyond the need for wonder as well

Book Review This Booker winner of 2011 is a short novel that takes you to peaks of insights and intellectual probes into life.  But the plot nosedives to the standards of mediocre thrillers with the suspense revealed at the end.  The author is a brilliant writer and hence the reader is not left disappointed in spite of that apparent flaw.  What is life?  This is the most fundamental question raised by the novel.  Can it be understood and explained by logic and reason?  Can people live together without causing “damage” to one another?  How do we react to the ineluctable damage?  Is life mostly about the damages and our responses to them?  “Some admit the damage, and try to mitigate it; some spend their lives trying to help others who are damaged; and then there are those whose main concern is to avoid further damage to themselves, at whatever cost. And those are the ones who are ruthless, and the ones to be careful of.” (44) * Adrian and Anthony are two of the four

Painting by  Jean-Léon  Gérôme Yet another Good Friday is here and Jesus will be crucified yet again.  “My God, my God, why have you forsaken me?”  Jesus will lament yet again writhing on the crosses erected in churches whose architectural splendour will proudly proclaim the imperial glory of the religion founded in his name. The heroes of the Beatitudes will metamorphose into caricatures in the sermons delivered by impassioned priests from the fourteen stations of the Way of the Cross.  The Good Samaritan will withdraw to his hermitage and scribble in his diary, “History is not only the lies of the victors but also the self-delusions of the vanquished.” The seeds of the Kingdom of Heaven have been genetically modified in the capitalist laboratories.  They sprout truths for the new gospels.   And the truths metamorphose into crosses.  The crosses will mark Good Fridays. I salute you, Jesus.  Your destiny is to be crucified again and again.  Or else, be locked up in t

Book Review Only extraordinary writers can write a gripping novel without a neat plot.  Akhil Sharma’s slim novel (228 pages in the hardbound edition that I got – it would be just half of that if formatted a la the old Penguin pocket edition) tells the story of the Mishra family in America.  Everything is going fine for this newly migrated family when tragedy strikes in the form of an accident that the elder son, Birju, meets with.  The accident renders Birju practically lifeless: severely brain-damaged.  The novel shows how this tragedy affects the other three family members.  The story is told by the younger son, Ajay, who is eight years old at the beginning of the novel.  Ajay grows up seeing his father becoming an alcoholic and mother struggling to cope with the hardships.  Ajay has a grudge somewhere within him about mother’s fondness for the comatose Birju.  What makes the novel marvellous is the way the novelist expresses the feelings, emotions and attitudes of his