Skip to main content

Love and Compassion



Love is a kaleidoscopic phenomenon. It has infinite hues which can form endless permutations and combinations.
Admiration can turn into romantic love which can change into murderous love as it happens in the case of Othello and Desdemona. “She loved me for the dangers I had passed,” says Othello, “And I loved her that she did pity them.” Their love transcended their races. It offended quite a lot of people. But theirs was genuine love, a love that went out of oneself to the other, a love that embraced the other in an elevated realm. Such love makes the lovers grow further as individuals.
But there’s always an Iago hiding somewhere just like the serpent in the primeval Eden. Othello is a soldier by profession. The soldier in him militates against the lover in him because of the games that Iago plays with him. If he was more romantic than belligerent he would have probed more into the allegations against his wife. But that precisely is one of the most difficult problems of love: your nature plays a vital role in it. Othello chose to be a soldier first and a husband after that. That choice costs Desdemona her life. An innocent woman who deserved all the love that Othello was capable of giving her is killed by him.
Shakespeare’s Antony and Cleopatra also loved each other very much though their love was more of lust than the kind of intimacy that Othello and Desdemona were capable of. Antony’s lust was a scorching fire that could “let Rome in Tiber melt, and the wide arch / Of the rang’d empire fall.” Kingdoms are mere clay for Antony when he is in the embrace of Cleopatra.
But theirs is love too. A different kind of love.
Love finds a totally different hue when we come to King Lear and his daughters. Filial affection has its multi-colours as Shakespeare shows in that play like no one else can. Cordelia can love her father so much that she can die for him while her sisters are just the opposite. Sons and daughters never love their parents the same way. That love too has infinite varieties.
Love is quite mysterious.
Diogenes with his lamp
Source: Wikipedia
Compassion is a different thing. Easy to understand though difficult to practise. Compassion is the ability to put yourself in the shoes of the other. Compassion makes you go out of yourself and help the other. Compassion is perhaps the best virtue if you wish to create a better world. All religions should focus on compassion instead of the mysterious and complicated love.
Can you be compassionate unless you have love in your heart? Perhaps you can. Compassion can arise from understanding. Intellectual understanding can lead one to compassion. Many great philosophers carried much compassion in their hearts though they didn’t appear to be quite loving, let alone lovable. What motivated Diogenes to carry a lamp in bright daylight to search for an honest man was compassion. Or was it?



Comments

Post a Comment

Popular posts from this blog

Ayodhya: Kingdom of Sorrows

T he Sarayu carried more tears than water. Ayodhya was a sad kingdom. Dasaratha was a good king. He upheld dharma – justice and morality – as best as he could. The citizens were apparently happy. Then, one day, it all changed. One person is enough to change the destiny of a whole kingdom. Who was that one person? Some say it was Kaikeyi, one of the three official wives of Dasaratha. Some others say it was Manthara, Kaikeyi’s chief maid. Manthara was a hunchback. She was the caretaker of Kaikeyi right from the latter’s childhood; foster mother, so to say, because Kaikeyi had no mother. The absence of maternal influence can distort a girl child’s personality. With a foster mother like Manthara, the distortion can be really bad. Manthara was cunning, selfish, and morally ambiguous. A severe physical deformity can make one worse than all that. Manthara was as devious and manipulative as a woman could be in a men’s world. Add to that all the jealousy and ambition that insecure peo...

Abdullah’s Religion

O Abdulla Renowned Malayalam movie actor Mohanlal recently offered special prayers for Mammootty, another equally renowned actor of Kerala. The ritual was performed at Sabarimala temple, one of the supreme Hindu pilgrimage centres in Kerala. No one in Kerala found anything wrong in Mohanlal, a Hindu, praying for Mammootty, a Muslim, to a Hindu deity. Malayalis were concerned about Mammootty’s wellbeing and were relieved to know that the actor wasn’t suffering from anything as serious as it appeared. Except O Abdulla. Who is this Abdulla? I had never heard of him until he created an unsavoury controversy about a Hindu praying for a Muslim. This man’s Facebook profile describes him as: “Former Professor Islahiaya, Media Critic, Ex-Interpreter of Indian Ambassador, Founder Member MADHYAMAM.” He has 108K followers on FB. As I was reading Malayalam weekly this morning, I came to know that this Abdulla is a former member of Jamaat-e-Islami Hind Kerala , a fundamentalist organisation. ...

Lucifer and some reflections

Let me start with a disclaimer: this is not a review of the Malayalam movie, Lucifer . These are some thoughts that came to my mind as I watched the movie today. However, just to give an idea about the movie: it’s a good entertainer with an engaging plot, Bollywood style settings, superman type violence in which the hero decimates the villains with pomp and show, and a spicy dance that is neatly tucked into the terribly orgasmic climax of the plot. The theme is highly relevant and that is what engaged me more. The role of certain mafia gangs in political governance is a theme that deserves to be examined in a good movie. In the movie, the mafia-politician nexus is busted and, like in our great myths, virtue triumphs over vice. Such a triumph is an artistic requirement. Real life, however, follows the principle of entropy: chaos flourishes with vengeance. Lucifer is the real winner in real life. The title of the movie as well as a final dialogue from the eponymous hero sugg...

Empuraan and Ramayana

Maggie and I will be watching the Malayalam movie Empuraan tomorrow. The tickets are booked. The movie has created a lot of controversy in Kerala and the director has decided to impose no less than 17 censors on it himself. I want to watch it before the jingoistic scissors find its way to the movie. It is surprising that the people of Kerala took such exception to this movie when the same people had no problem with the utterly malicious and mendacious movie The Kerala Story (2023). [My post on that movie, which I didn’t watch, is here .] Empuraan is based partly on the Gujarat riots of 2002. The riots were real and the BJP’s role in it (Mr Modi’s, in fact) is well-known. So, Empuraan isn’t giving the audience any falsehood as The Kerala Story did. Moreover, The Kerala Story maligned the people of Kerala while Empuraan is about something that happened in the faraway Gujarat quite long ago. Why are the people of Kerala then upset with Empuraan ? Because it tells the truth, M...

Empuraan – Review

Revenge is an ancient theme in human narratives. Give a moral rationale for the revenge and make the antagonist look monstrously evil, then you have the material for a good work of art. Add to that some spices from contemporary politics and the recipe is quite right for a hit movie. This is what you get in the Malayalam movie, Empuraan , which is running full houses now despite the trenchant opposition to it from the emergent Hindutva forces in the state. First of all, I fail to understand why so much brouhaha was hollered by the Hindutvans [let me coin that word for sheer convenience] who managed to get some 3 minutes censored from the 3-hour movie. The movie doesn’t make any explicit mention of any of the existing Hindutva political parties or other organisations. On the other hand, Allahu Akbar is shouted menacingly by Islamic terrorists, albeit towards the end. True, the movie begins with an implicit reference to what happened in Gujarat in 2002 after the Godhra train burnin...