Tomichan Matheikal's blog

Illustration by Gemini AI “Krishna touches my hand. If you can call it a hand, these pinpricks of light that are newly coalescing into the shape of fingers and palm. At his touch something breaks, a chain that was tied to the woman-shape crumpled on the snow below. I am buoyant and expansive and uncontainable – but I always was so, only I never knew it! I am beyond the name and gender and the imprisoning patterns of ego. And yet, for the first time, I’m truly Panchali. I reach with my other hand for Karna – how surprisingly solid his clasp! Above us our palace waits, the only one I’ve ever needed. Its walls are space, its floor is sky, its center everywhere. We rise; the shapes cluster around us in welcome, dissolving and forming and dissolving again like fireflies in a summer evening.” What is quoted above is the final paragraph of Chitra Banerjee Divakaruni’s novel The Palace of Illusions which I reread in the last few days merely because I had time on my hands and this book hap...

Fiction Image from Pinterest “I met Ashwatthama.” When Doctor Prabhakar told me this, I thought he was talking figuratively. Metaphors were his weaknesses. “The real virus is in the human heart, Jai,” he had told me when the pandemic named Covid-19 started holding the country hostage. I thought his Ashwatthama was similarly figurative. Ashwatthama was Dronacharya’s son in the Mahabharata. He was blessed with immortality by Shiva. But the blessing became a horrible curse when Krishna punished him for killing the Pandava kids deceptively after Kurukshetra was brought to peace, however fragile that peace was, using all the frauds that a god could possibly use. Krishna of the Kurukshetra was no less a fraud than a run-of-the-mill politician in my imagination. He could get an innocent elephant named Ashwatthama killed and then convert that killing into a blatant lie to demoralise Drona. He could ask Bhima to hit Duryodhana below the belt without feeling any moral qualms in what...