Skip to main content

Blood in the Paradise


Book Review

We live in a world in which “fair is foul and foul is fair” much more than in Shakespeare’s time.  Good people often become victims of foul systems or villainous individuals.  What if some good people are also shrewd enough to understand the hazards underlying the system and come forward to help the good but helpless people?

This is an interesting question raised by Madhav Mahidhar’s murder mystery, Blood in the Paradise – A tale of an impossible murder.  The book is a straightforward murder mystery, a suspense thriller and a tremendously gripping read.  It is literally unputdownable because the police questionings and the court trials are riveting. 

Madhumitha who has an unhappy married life as her husband Vikas Nandan became an alcoholic and womaniser decides to end her life along with those of their little twin daughters.  She survives, however, and the children have not been administered the poison yet.  But the husband dies absorbing the same poison which his wife had taken.  It is not a suicide.  It is a murder.  But who committed the murder?  And how? 

That’s the story.  There is an intelligent and honest police officer DCP Vishwaroop.  There also is Anupriya Gautam who is a well-known feminist as well as social worker with considerable influence in the society.  She is a close friend of Madhumita and stands by her friend throughout her ordeal with the police and the court. 

Vishwaroop and his team’s brains as well as sincere efforts cannot prove what they know to be right: that Vikas was killed by means of a very cunningly crafted plan.  They cannot get the necessary evidences.  Moreover, Anupriya mobilises the public against the police who detained Madhumita under custody for a long period in spite of the fact that she needed medical attention after the suicide attempt. 

The novel has all the ingredients required for a suspense thriller.  In fact, it brings in additional spice in the form of feminism and the influence of social movements and the media on legal cases. 

The story is narrated elegantly and rivetingly.  It’s all dialogue mostly apart from Madhumita’s diary entries and a few narrative passages.  The dialogues grip us because they are police questionings and court trials. However, the author could have paid a little more attention to character development although we don’t expect much of that in a suspense thriller.  Nevertheless, Vishwaroop and Anupriya offer much scope for that.  Even the SI Mallika does.  The author chose to stick to his murder mystery with absolute loyalty.  Only in the final pages does he turn his attention to certain other details in order to make the story convincing and also to throw a few intelligent questions to the reader.  The novel is highly subversive since it raises the question: should the good and the innocent suffer for the sake of justice which is often tilted in favour of the villain?

Those who love murder mysteries narrated at a lightning speed will love this novel.

You can buy it at here: Amazon.in

PS.
I won a review copy from The Tales Pensieve as part of Reviewers Programme. Register on #TTP for lots of #book fun and activities.


Indian Bloggers

Comments

  1. नोटबंदी के बाद डिजिटल पेमेंट पर जोर, जानें क्या है डिजिटल पेमेंट
    Readmore Todaynews18.com https://goo.gl/BgzxC9

    ReplyDelete

Post a Comment

Popular posts from this blog

Ayodhya: Kingdom of Sorrows

T he Sarayu carried more tears than water. Ayodhya was a sad kingdom. Dasaratha was a good king. He upheld dharma – justice and morality – as best as he could. The citizens were apparently happy. Then, one day, it all changed. One person is enough to change the destiny of a whole kingdom. Who was that one person? Some say it was Kaikeyi, one of the three official wives of Dasaratha. Some others say it was Manthara, Kaikeyi’s chief maid. Manthara was a hunchback. She was the caretaker of Kaikeyi right from the latter’s childhood; foster mother, so to say, because Kaikeyi had no mother. The absence of maternal influence can distort a girl child’s personality. With a foster mother like Manthara, the distortion can be really bad. Manthara was cunning, selfish, and morally ambiguous. A severe physical deformity can make one worse than all that. Manthara was as devious and manipulative as a woman could be in a men’s world. Add to that all the jealousy and ambition that insecure peo...

Bharata: The Ascetic King

Bharata is disillusioned yet again. His brother, Rama the ideal man, Maryada Purushottam , is making yet another grotesque demand. Sita Devi has to prove her purity now, years after the Agni Pariksha she arranged for herself long ago in Lanka itself. Now, when she has been living for years far away from Rama with her two sons Luva and Kusha in the paternal care of no less a saint than Valmiki himself! What has happened to Rama? Bharata sits on the bank of the Sarayu with tears welling up in his eyes. Give me an answer, Sarayu, he said. Sarayu accepted Bharata’s tears too. She was used to absorbing tears. How many times has Rama come and sat upon this very same bank and wept too? Life is sorrow, Sarayu muttered to Bharata. Even if you are royal descendants of divinity itself. Rama had brought the children Luva and Kusha to Ayodhya on the day of the Ashvamedha Yagna which he was conducting in order to reaffirm his sovereignty and legitimacy over his kingdom. He didn’t know they w...

Abdullah’s Religion

O Abdulla Renowned Malayalam movie actor Mohanlal recently offered special prayers for Mammootty, another equally renowned actor of Kerala. The ritual was performed at Sabarimala temple, one of the supreme Hindu pilgrimage centres in Kerala. No one in Kerala found anything wrong in Mohanlal, a Hindu, praying for Mammootty, a Muslim, to a Hindu deity. Malayalis were concerned about Mammootty’s wellbeing and were relieved to know that the actor wasn’t suffering from anything as serious as it appeared. Except O Abdulla. Who is this Abdulla? I had never heard of him until he created an unsavoury controversy about a Hindu praying for a Muslim. This man’s Facebook profile describes him as: “Former Professor Islahiaya, Media Critic, Ex-Interpreter of Indian Ambassador, Founder Member MADHYAMAM.” He has 108K followers on FB. As I was reading Malayalam weekly this morning, I came to know that this Abdulla is a former member of Jamaat-e-Islami Hind Kerala , a fundamentalist organisation. ...

Empuraan and Ramayana

Maggie and I will be watching the Malayalam movie Empuraan tomorrow. The tickets are booked. The movie has created a lot of controversy in Kerala and the director has decided to impose no less than 17 censors on it himself. I want to watch it before the jingoistic scissors find its way to the movie. It is surprising that the people of Kerala took such exception to this movie when the same people had no problem with the utterly malicious and mendacious movie The Kerala Story (2023). [My post on that movie, which I didn’t watch, is here .] Empuraan is based partly on the Gujarat riots of 2002. The riots were real and the BJP’s role in it (Mr Modi’s, in fact) is well-known. So, Empuraan isn’t giving the audience any falsehood as The Kerala Story did. Moreover, The Kerala Story maligned the people of Kerala while Empuraan is about something that happened in the faraway Gujarat quite long ago. Why are the people of Kerala then upset with Empuraan ? Because it tells the truth, M...

Empuraan – Review

Revenge is an ancient theme in human narratives. Give a moral rationale for the revenge and make the antagonist look monstrously evil, then you have the material for a good work of art. Add to that some spices from contemporary politics and the recipe is quite right for a hit movie. This is what you get in the Malayalam movie, Empuraan , which is running full houses now despite the trenchant opposition to it from the emergent Hindutva forces in the state. First of all, I fail to understand why so much brouhaha was hollered by the Hindutvans [let me coin that word for sheer convenience] who managed to get some 3 minutes censored from the 3-hour movie. The movie doesn’t make any explicit mention of any of the existing Hindutva political parties or other organisations. On the other hand, Allahu Akbar is shouted menacingly by Islamic terrorists, albeit towards the end. True, the movie begins with an implicit reference to what happened in Gujarat in 2002 after the Godhra train burnin...