Skip to main content

Real Togetherness



Real togetherness is the relationship between the tree and the earth.  One draws its sustenance from the other.  Both draw life from each other.  Necessarily.  Ineluctably.  That ineluctability is the real togetherness.  But the extraction is based on a deep understanding.  The tree needs the earth for driving its hungry roots down as much as the earth needs the tree for materialising its fecundity. 

When the infant draws life from its mother’s breasts, the mother is enriched too.  That mutual enrichment is real togetherness.

Real togetherness is when man and woman probe into the eyes of each other and see oneself reflected in the eyes of the other.  The other becomes a lake into which one plunges to emerge in a while with enhanced zest for life.  The breeze of the heavens wafts through the necessary interstices of that zest. 

Real togetherness is the essence of the apple that Eve and Adam bit into before being ejected summarily from God’s patronisation.  It is grappling with the waves in the unchartered waters outside the Eden where Newton, rather than God, calculates the gravitational pull between the apple and the earth.  Where the various avatars of God determines who can live together.  And, alas, who cannot!  Avatars that have not attained the enlightenment required to understand the longing of the apple to dissolve into the earth’s entrails and re-emerge like the phoenix with new life. 

This post is inspired by an admirable venture from http://www.kissanpur.com/

Togetherness is impossible without Enlightenment.  Because togetherness is a harmonious symphony that transmutes the bestial biped into a merging raga.  A harmony that extracts a willing surrender which is rooted in the realisation that everyone of us owes Nature a death.  

In the meanwhile, before the time draws close for the final surrender, real togetherness is a deliverance.  Deliverance from the preposterous gods that have extracted orgasmic sacrifices from us in their electronic avatars.  It is the deliverance of the spirit from digital bits and bytes into soulful verses.

Real togetherness is the mating of the spade with the soil stirring phoenix wings into motion from the interred ashes.  Not the lustful assaults of the bulldozer seeking mastery over the earth and its genuine inheritors.  Not the assembly of hallucinated Satsangis chanting soulless mantras about bovine sanctity, but the assimilation of the eternal spirit that sparkles in all that was, is and will ever be.  It is the ascent of the soul to the wisdom of the Aham Brahmasmi.

It is the vanishing act of the Aham at the vision of the eternal spirit whose creative impulse wafts relentlessly through the multifarious instruments producing the orchestra of the cosmos.  It is the enlightenment that transforms the Aham into yet another flower in the vast garden of heterogeneous flowers. 

Real togetherness is when the tomatoes can inspire us with new songs.  With melodies in place of tragedies.  With smiles that reduce the miles between you and me. 



Comments

  1. I wonder if such real togetherness is affordable in a lifetime at all. If yes, I wonder of it can be realized through our humanly senses at all. That culmination. It is the highest rank a man can achieve.

    Thanks for a stimulating post.

    ReplyDelete
    Replies
    1. Possible, yes. Affordable? Depends. Practical? We have to ask our PM!

      Delete

Post a Comment

Popular posts from this blog

Ayodhya: Kingdom of Sorrows

T he Sarayu carried more tears than water. Ayodhya was a sad kingdom. Dasaratha was a good king. He upheld dharma – justice and morality – as best as he could. The citizens were apparently happy. Then, one day, it all changed. One person is enough to change the destiny of a whole kingdom. Who was that one person? Some say it was Kaikeyi, one of the three official wives of Dasaratha. Some others say it was Manthara, Kaikeyi’s chief maid. Manthara was a hunchback. She was the caretaker of Kaikeyi right from the latter’s childhood; foster mother, so to say, because Kaikeyi had no mother. The absence of maternal influence can distort a girl child’s personality. With a foster mother like Manthara, the distortion can be really bad. Manthara was cunning, selfish, and morally ambiguous. A severe physical deformity can make one worse than all that. Manthara was as devious and manipulative as a woman could be in a men’s world. Add to that all the jealousy and ambition that insecure peo...

Abdullah’s Religion

O Abdulla Renowned Malayalam movie actor Mohanlal recently offered special prayers for Mammootty, another equally renowned actor of Kerala. The ritual was performed at Sabarimala temple, one of the supreme Hindu pilgrimage centres in Kerala. No one in Kerala found anything wrong in Mohanlal, a Hindu, praying for Mammootty, a Muslim, to a Hindu deity. Malayalis were concerned about Mammootty’s wellbeing and were relieved to know that the actor wasn’t suffering from anything as serious as it appeared. Except O Abdulla. Who is this Abdulla? I had never heard of him until he created an unsavoury controversy about a Hindu praying for a Muslim. This man’s Facebook profile describes him as: “Former Professor Islahiaya, Media Critic, Ex-Interpreter of Indian Ambassador, Founder Member MADHYAMAM.” He has 108K followers on FB. As I was reading Malayalam weekly this morning, I came to know that this Abdulla is a former member of Jamaat-e-Islami Hind Kerala , a fundamentalist organisation. ...

Lucifer and some reflections

Let me start with a disclaimer: this is not a review of the Malayalam movie, Lucifer . These are some thoughts that came to my mind as I watched the movie today. However, just to give an idea about the movie: it’s a good entertainer with an engaging plot, Bollywood style settings, superman type violence in which the hero decimates the villains with pomp and show, and a spicy dance that is neatly tucked into the terribly orgasmic climax of the plot. The theme is highly relevant and that is what engaged me more. The role of certain mafia gangs in political governance is a theme that deserves to be examined in a good movie. In the movie, the mafia-politician nexus is busted and, like in our great myths, virtue triumphs over vice. Such a triumph is an artistic requirement. Real life, however, follows the principle of entropy: chaos flourishes with vengeance. Lucifer is the real winner in real life. The title of the movie as well as a final dialogue from the eponymous hero sugg...

Empuraan and Ramayana

Maggie and I will be watching the Malayalam movie Empuraan tomorrow. The tickets are booked. The movie has created a lot of controversy in Kerala and the director has decided to impose no less than 17 censors on it himself. I want to watch it before the jingoistic scissors find its way to the movie. It is surprising that the people of Kerala took such exception to this movie when the same people had no problem with the utterly malicious and mendacious movie The Kerala Story (2023). [My post on that movie, which I didn’t watch, is here .] Empuraan is based partly on the Gujarat riots of 2002. The riots were real and the BJP’s role in it (Mr Modi’s, in fact) is well-known. So, Empuraan isn’t giving the audience any falsehood as The Kerala Story did. Moreover, The Kerala Story maligned the people of Kerala while Empuraan is about something that happened in the faraway Gujarat quite long ago. Why are the people of Kerala then upset with Empuraan ? Because it tells the truth, M...

Empuraan – Review

Revenge is an ancient theme in human narratives. Give a moral rationale for the revenge and make the antagonist look monstrously evil, then you have the material for a good work of art. Add to that some spices from contemporary politics and the recipe is quite right for a hit movie. This is what you get in the Malayalam movie, Empuraan , which is running full houses now despite the trenchant opposition to it from the emergent Hindutva forces in the state. First of all, I fail to understand why so much brouhaha was hollered by the Hindutvans [let me coin that word for sheer convenience] who managed to get some 3 minutes censored from the 3-hour movie. The movie doesn’t make any explicit mention of any of the existing Hindutva political parties or other organisations. On the other hand, Allahu Akbar is shouted menacingly by Islamic terrorists, albeit towards the end. True, the movie begins with an implicit reference to what happened in Gujarat in 2002 after the Godhra train burnin...