Skip to main content

The Charm of the Brontë Gloom

 

 Brontë Museum, Haworth

Leading the list of the umpteen places that I would love to visit is Haworth of the Brontës. Haworth is a village in England where the three illustrious Brontë sisters lived until their premature deaths. Two of the sisters and their only brother died when they were only 29, 30 and 31 respectively. The other one managed to live to the age of 39. Their unfortunate father, Rev Patrick Bronte, endured all that along with the death of his wife much earlier. It was a gloomy life for all of them. On a gloomy landscape. The landscape where Charlotte Brontë’s Jane Eyre, Anne’s Agnes Grey and Emily’s Catherine lived out their passions, dreams and frustrations.

All the four Brontë children were brilliant. The boy, Branwell, was considered to be a genius by his father and sisters. He was tutored at home rigorously by his religious father. His poetry earned much praise. He painted admirable portraits. A talented man he was. But he ended up as a drifter. Addicted to alcohol and drugs, he succumbed to death at the age of 31. In his last moments, he wanted to demonstrate the power of the human will and insisted on dying standing up.

The Church, Haworth

The sisters were a little more successful. Or less unfortunate, let’s say. Their novels and poems drew much attention though the orthodox Victorians were not very happy with characters like Jane Eyre and Catherine Earnshaw.

However, England liberated itself from the absurd Victorian morality. Today the birthplace of the Brontës, Thornton village, is like a pilgrimage centre. The place they lived out their tragic lives, Haworth, is a tourist centre that people like me put on the top of their post-Covid destinations.

It’s not Jane Eyre or Catherine Earnshaw that attract me to the place, however. It’s the Brontës themselves. These three sisters and a brother who seemed to carry existence as an unbearable burden within themselves. The land on which they walked. The ghosts that conversed with them in the gloom of their loneliness. There are ghosts in Jane Eyre and Wuthering Heights and probably in many other works of these sisters. I long to feel those ghosts.

This longing of mine has become so intense that ghosts have once again started haunting my dreams. No, I don’t call them nightmares anymore. They were nightmares earlier when Shillong clergy and some Delhi godman’s women were inhabiting the landscapes of my nocturnal adventures. Not when the Brontës choose to populate my dreams.

And when (and if) I do visit Haworth, the cemetery of St Michael and All Angels Church there will enchant me more than the Brontë Museum, perhaps.


xZx

Comments

  1. Hari OM
    I have visited this place (some forty years past!) and can vouch for the atmosphere that is held there. My sister recently made a visit and her experience was as similar as mine even after all that time. Therefore I can be reasonably confident in assuring you that, in the event of making a visit, you will not be disappointed! YAM xx

    ReplyDelete
  2. I got jitters reading this. Will it be spooky when I visit it in future ? Or will it be interesting ? may be I will find out :-)

    ReplyDelete
    Replies
    1. It will be definitely worth visiting the place, spooky or not.

      Delete
  3. I'll wait to read the post that you'll write after your visit. Perhaps, it'll be the beginning of a book by you.

    ReplyDelete

Post a Comment

Popular posts from this blog

Ayodhya: Kingdom of Sorrows

T he Sarayu carried more tears than water. Ayodhya was a sad kingdom. Dasaratha was a good king. He upheld dharma – justice and morality – as best as he could. The citizens were apparently happy. Then, one day, it all changed. One person is enough to change the destiny of a whole kingdom. Who was that one person? Some say it was Kaikeyi, one of the three official wives of Dasaratha. Some others say it was Manthara, Kaikeyi’s chief maid. Manthara was a hunchback. She was the caretaker of Kaikeyi right from the latter’s childhood; foster mother, so to say, because Kaikeyi had no mother. The absence of maternal influence can distort a girl child’s personality. With a foster mother like Manthara, the distortion can be really bad. Manthara was cunning, selfish, and morally ambiguous. A severe physical deformity can make one worse than all that. Manthara was as devious and manipulative as a woman could be in a men’s world. Add to that all the jealousy and ambition that insecure peo...

Abdullah’s Religion

O Abdulla Renowned Malayalam movie actor Mohanlal recently offered special prayers for Mammootty, another equally renowned actor of Kerala. The ritual was performed at Sabarimala temple, one of the supreme Hindu pilgrimage centres in Kerala. No one in Kerala found anything wrong in Mohanlal, a Hindu, praying for Mammootty, a Muslim, to a Hindu deity. Malayalis were concerned about Mammootty’s wellbeing and were relieved to know that the actor wasn’t suffering from anything as serious as it appeared. Except O Abdulla. Who is this Abdulla? I had never heard of him until he created an unsavoury controversy about a Hindu praying for a Muslim. This man’s Facebook profile describes him as: “Former Professor Islahiaya, Media Critic, Ex-Interpreter of Indian Ambassador, Founder Member MADHYAMAM.” He has 108K followers on FB. As I was reading Malayalam weekly this morning, I came to know that this Abdulla is a former member of Jamaat-e-Islami Hind Kerala , a fundamentalist organisation. ...

Lucifer and some reflections

Let me start with a disclaimer: this is not a review of the Malayalam movie, Lucifer . These are some thoughts that came to my mind as I watched the movie today. However, just to give an idea about the movie: it’s a good entertainer with an engaging plot, Bollywood style settings, superman type violence in which the hero decimates the villains with pomp and show, and a spicy dance that is neatly tucked into the terribly orgasmic climax of the plot. The theme is highly relevant and that is what engaged me more. The role of certain mafia gangs in political governance is a theme that deserves to be examined in a good movie. In the movie, the mafia-politician nexus is busted and, like in our great myths, virtue triumphs over vice. Such a triumph is an artistic requirement. Real life, however, follows the principle of entropy: chaos flourishes with vengeance. Lucifer is the real winner in real life. The title of the movie as well as a final dialogue from the eponymous hero sugg...

Empuraan and Ramayana

Maggie and I will be watching the Malayalam movie Empuraan tomorrow. The tickets are booked. The movie has created a lot of controversy in Kerala and the director has decided to impose no less than 17 censors on it himself. I want to watch it before the jingoistic scissors find its way to the movie. It is surprising that the people of Kerala took such exception to this movie when the same people had no problem with the utterly malicious and mendacious movie The Kerala Story (2023). [My post on that movie, which I didn’t watch, is here .] Empuraan is based partly on the Gujarat riots of 2002. The riots were real and the BJP’s role in it (Mr Modi’s, in fact) is well-known. So, Empuraan isn’t giving the audience any falsehood as The Kerala Story did. Moreover, The Kerala Story maligned the people of Kerala while Empuraan is about something that happened in the faraway Gujarat quite long ago. Why are the people of Kerala then upset with Empuraan ? Because it tells the truth, M...

Empuraan – Review

Revenge is an ancient theme in human narratives. Give a moral rationale for the revenge and make the antagonist look monstrously evil, then you have the material for a good work of art. Add to that some spices from contemporary politics and the recipe is quite right for a hit movie. This is what you get in the Malayalam movie, Empuraan , which is running full houses now despite the trenchant opposition to it from the emergent Hindutva forces in the state. First of all, I fail to understand why so much brouhaha was hollered by the Hindutvans [let me coin that word for sheer convenience] who managed to get some 3 minutes censored from the 3-hour movie. The movie doesn’t make any explicit mention of any of the existing Hindutva political parties or other organisations. On the other hand, Allahu Akbar is shouted menacingly by Islamic terrorists, albeit towards the end. True, the movie begins with an implicit reference to what happened in Gujarat in 2002 after the Godhra train burnin...