Skip to main content

Raising Stars


Bringing up children is both an art and a science. The parents must have certain skills as well as qualities and value systems if the children are to grow up into good human beings. How do the Bollywood stars bring up their children? That is an interesting subject which probably no one studied seriously until Rashmi Uchil did. The result of her study is the book titled Raising Stars: The challenges and joys of being a Bollywood parent.

The book brings us the examples of no less than 26 Bollywood personalities on how they brought up their children in spite of their hectic schedules and other demands of the profession. In each chapter, the author highlights one particular virtue or skill or quality from each of these stars to teach us about the importance of that aspect in bringing up children. Managing anger, for example, is the topic of the first chapter where Mahima Chowdhary is our example. We move on to gender equality, confidence, discipline, etc, and end with spirituality which is highlighted with the example of Yukta Mookey’s Zen practices.

The book is a practical guide to parenting. Even if you are a very busy person, even if you have a lot of demanding responsibilities, you need to pay serious attention to your children if they are to be good human beings when they grow up.

Each chapter is divided into two sections: the first is an introduction to the theme and the second is a narrative spoken by a famous Bollywood artiste. Chapter 4, for instance, is on discipline. The introduction tells us that discipline is not the same as punishment. Not at all. In fact, the two have little in common. A child subjected to harsh disciplinary measures is only going to learn two lessons, says Rashmi Uchil, the author, in her introduction to the chapter. One, how to outsmart authority figures; and two, that they are bad children and are undeserving.

Uchil mentions an Adverse Childhood Experiences Study conducted by some psychologists who researched the history of 17,000 patients of certain chronic illnesses such as asthma, diabetes and depression. The result was that these individuals had abusive, punitive parents.

This book may not be very profound but is utterly practical. The author was a film journalist. The book does read like a journalistic work. Hence it may appear shallow in places. Nevertheless, it does inspire and extend practical guidelines to young parents on various aspects of parenting.

In some places, the book acquires poignant depths. One striking example is Javed Akhtar speaking about religious upbringing of children. “Trust me, all those people who are good are good not because of their religion but despite it,” he asserts. “Let me suggest an exercise. Take a world map and mark all the countries and places where religion is dominant. Now take another world map and mark those countries and places where human rights are most violated, women are treated only a little better than animals and where there is hardly any freedom of expression. You will find that on both maps you have marked the same countries and the same places.” 

It is not religion or moral science class that moulds good human beings out of children. “Children don’t do what you tell them to do,” Akhtar goes on. “They do what you do.” Your example is the religion for children. You can be as religious as you a human being possibly can, but if your deeds are foul your children are likely to go astray.

“When you are at peace, your child senses it,” the author tells us towards the end of the book. “The child is at peace too. When you operate from a space of love, the child blooms to their full potential.” You, as a parent, is of immense value in your child’s life.

This book may not be the best in the genre but it merits attention from young parents. Especially because we are living in highly troubled times when children are going through utterly baffling realities which are not what they seem.

Comments

  1. This is an interesting topic for a parenting book.

    ReplyDelete
    Replies
    1. Undoubtedly. The only problem is that this book is a bit superficial.

      Delete

Post a Comment

Popular posts from this blog

Ayodhya: Kingdom of Sorrows

T he Sarayu carried more tears than water. Ayodhya was a sad kingdom. Dasaratha was a good king. He upheld dharma – justice and morality – as best as he could. The citizens were apparently happy. Then, one day, it all changed. One person is enough to change the destiny of a whole kingdom. Who was that one person? Some say it was Kaikeyi, one of the three official wives of Dasaratha. Some others say it was Manthara, Kaikeyi’s chief maid. Manthara was a hunchback. She was the caretaker of Kaikeyi right from the latter’s childhood; foster mother, so to say, because Kaikeyi had no mother. The absence of maternal influence can distort a girl child’s personality. With a foster mother like Manthara, the distortion can be really bad. Manthara was cunning, selfish, and morally ambiguous. A severe physical deformity can make one worse than all that. Manthara was as devious and manipulative as a woman could be in a men’s world. Add to that all the jealousy and ambition that insecure peo...

The Little Girl

The Little Girl is a short story by Katherine Mansfield given in the class 9 English course of NCERT. Maggie gave an assignment to her students based on the story and one of her students, Athena Baby Sabu, presented a brilliant job. She converted the story into a delightful comic strip. Mansfield tells the story of Kezia who is the eponymous little girl. Kezia is scared of her father who wields a lot of control on the entire family. She is punished severely for an unwitting mistake which makes her even more scared of her father. Her grandmother is fond of her and is her emotional succour. The grandmother is away from home one day with Kezia's mother who is hospitalised. Kezia gets her usual nightmare and is terrified. There is no one at home to console her except her father from whom she does not expect any consolation. But the father rises to the occasion and lets the little girl sleep beside him that night. She rests her head on her father's chest and can feel his heart...

Bharata: The Ascetic King

Bharata is disillusioned yet again. His brother, Rama the ideal man, Maryada Purushottam , is making yet another grotesque demand. Sita Devi has to prove her purity now, years after the Agni Pariksha she arranged for herself long ago in Lanka itself. Now, when she has been living for years far away from Rama with her two sons Luva and Kusha in the paternal care of no less a saint than Valmiki himself! What has happened to Rama? Bharata sits on the bank of the Sarayu with tears welling up in his eyes. Give me an answer, Sarayu, he said. Sarayu accepted Bharata’s tears too. She was used to absorbing tears. How many times has Rama come and sat upon this very same bank and wept too? Life is sorrow, Sarayu muttered to Bharata. Even if you are royal descendants of divinity itself. Rama had brought the children Luva and Kusha to Ayodhya on the day of the Ashvamedha Yagna which he was conducting in order to reaffirm his sovereignty and legitimacy over his kingdom. He didn’t know they w...

Liberated

Fiction - parable Vijay was familiar enough with soil and the stones it turns up to realise that he had struck something rare.   It was a tiny stone, a pitch black speck not larger than the tip of his little finger. It turned up from the intestine of the earth while Vijay was digging a pit for the biogas plant. Anand, the scientist from the village, got the stone analysed in his lab and assured, “It is a rare object.   A compound of carbonic acid and magnesium.” Anand and his fellow scientists believed that it must be a fragment of a meteoroid that hit the earth millions of years ago.   “Very rare indeed,” concluded the scientist. Now, it’s plain commonsense that something that’s very rare indeed must be very valuable too. All the more so if it came from the heavens. So Vijay got the village goldsmith to set it on a gold ring.   Vijay wore the ring proudly on his ring finger. Nobody, in the village, however bothered to pay any homage to Vijay’s...

Empuraan – Review

Revenge is an ancient theme in human narratives. Give a moral rationale for the revenge and make the antagonist look monstrously evil, then you have the material for a good work of art. Add to that some spices from contemporary politics and the recipe is quite right for a hit movie. This is what you get in the Malayalam movie, Empuraan , which is running full houses now despite the trenchant opposition to it from the emergent Hindutva forces in the state. First of all, I fail to understand why so much brouhaha was hollered by the Hindutvans [let me coin that word for sheer convenience] who managed to get some 3 minutes censored from the 3-hour movie. The movie doesn’t make any explicit mention of any of the existing Hindutva political parties or other organisations. On the other hand, Allahu Akbar is shouted menacingly by Islamic terrorists, albeit towards the end. True, the movie begins with an implicit reference to what happened in Gujarat in 2002 after the Godhra train burnin...