Skip to main content

Saint


The Saint is a short story written by Gabriel Garcia Marquez. It tells us the story of a man named Margarito Duarte who spent 22 years of his life striving to get his daughter canonised by the Catholic Church, to no avail.

 The girl had died at the age of 7 due to a fever. A few years after her death, her grave is opened because the cemetery in which she is buried is going to be taken over for the construction of a dam. Margarito wants to bury her bones elsewhere just as all other people of the place were doing with the bones of their departed ones. When the grave was dug open came the surprise. The miracle. Eleven years after her burial, the girl’s body showed no sign of decay.

The body shows “a little girl dressed as a bride who was still sleeping after a long stay underground. Her skin was smooth and warm, and her open eyes were clear and created the unbearable impression that they were looking at us from death.” The body exudes fragrance of fresh-cut roses.

Everyone in the place is convinced that it is a miracle. Even the bishop agrees. Funds are collected to enable Margarito to go to the Vatican and meet the Pope with the supplication for getting the girl declared a saint of the Church.

Margarito waits and waits in Rome to meet the Pope. Weeks pass into months which become years. Four Popes come and go in the 22 years that Margarito waited with a single mission in his life. Some time during his waiting, Margarito is told about a museum in Palermo where there were many incorruptible corpses, all disinterred from the same cemetery as his daughter’s. Margarito goes to Palermo and sees that those corpses looked what they are: corpses, unlike his daughter who looked like a living angel. Margarito’s waiting continues.

Someone who feels pity for the man decides to give Margarito a diversion. A beautiful young girl is paid to give the diversion. She is sent to Margarito’s room totally naked and perfumed with an exotic cologne. On seeing the girl, Margarito is shocked. He puts on his shirt and shoes to receive her with all due respect. The girl tells him to hurry because they only had an hour. Margarito does not understand. The girl then sees the trunk in which the dead girl’s body is kept. She opens the lid and sees the corpse whose eyes stare at her with an ethereal ardour. The girl runs out of the room in terror. Seeing her run totally naked, an inhabitant of the building thinks that it is a ghost.

Margarito waited and waited. “Four popes had died, eternal Rome was showing the first signs of decrepitude, and still he waited.” Marquez concludes the story thus: “Without realising it, by means of his daughter’s incorruptible body and while he was still alive, he had spent twenty-two years fighting for the legitimate cause of his own canonization.”

Margarito is the saint, in other words, for the narrator of the story. Margarito’s absolute dedication to the cause for which he had set out 22 years ago from his village makes him a saint. No temptation could lead him astray. What is saintliness but the shedding of one’s ego, one’s self, and being merged with a holy cause?

Comments

  1. That's a very sad story. I thought canonization required a miracle and proof that someone had gotten said miracle via prayer to the saint-to-be. A lot of hoops to jump through.

    ReplyDelete
    Replies
    1. Of course, in real life canonization is tough. Marquez is dealing with a different world!

      Delete

Post a Comment

Popular posts from this blog

Ayodhya: Kingdom of Sorrows

T he Sarayu carried more tears than water. Ayodhya was a sad kingdom. Dasaratha was a good king. He upheld dharma – justice and morality – as best as he could. The citizens were apparently happy. Then, one day, it all changed. One person is enough to change the destiny of a whole kingdom. Who was that one person? Some say it was Kaikeyi, one of the three official wives of Dasaratha. Some others say it was Manthara, Kaikeyi’s chief maid. Manthara was a hunchback. She was the caretaker of Kaikeyi right from the latter’s childhood; foster mother, so to say, because Kaikeyi had no mother. The absence of maternal influence can distort a girl child’s personality. With a foster mother like Manthara, the distortion can be really bad. Manthara was cunning, selfish, and morally ambiguous. A severe physical deformity can make one worse than all that. Manthara was as devious and manipulative as a woman could be in a men’s world. Add to that all the jealousy and ambition that insecure peo...

The Little Girl

The Little Girl is a short story by Katherine Mansfield given in the class 9 English course of NCERT. Maggie gave an assignment to her students based on the story and one of her students, Athena Baby Sabu, presented a brilliant job. She converted the story into a delightful comic strip. Mansfield tells the story of Kezia who is the eponymous little girl. Kezia is scared of her father who wields a lot of control on the entire family. She is punished severely for an unwitting mistake which makes her even more scared of her father. Her grandmother is fond of her and is her emotional succour. The grandmother is away from home one day with Kezia's mother who is hospitalised. Kezia gets her usual nightmare and is terrified. There is no one at home to console her except her father from whom she does not expect any consolation. But the father rises to the occasion and lets the little girl sleep beside him that night. She rests her head on her father's chest and can feel his heart...

Bharata: The Ascetic King

Bharata is disillusioned yet again. His brother, Rama the ideal man, Maryada Purushottam , is making yet another grotesque demand. Sita Devi has to prove her purity now, years after the Agni Pariksha she arranged for herself long ago in Lanka itself. Now, when she has been living for years far away from Rama with her two sons Luva and Kusha in the paternal care of no less a saint than Valmiki himself! What has happened to Rama? Bharata sits on the bank of the Sarayu with tears welling up in his eyes. Give me an answer, Sarayu, he said. Sarayu accepted Bharata’s tears too. She was used to absorbing tears. How many times has Rama come and sat upon this very same bank and wept too? Life is sorrow, Sarayu muttered to Bharata. Even if you are royal descendants of divinity itself. Rama had brought the children Luva and Kusha to Ayodhya on the day of the Ashvamedha Yagna which he was conducting in order to reaffirm his sovereignty and legitimacy over his kingdom. He didn’t know they w...

Liberated

Fiction - parable Vijay was familiar enough with soil and the stones it turns up to realise that he had struck something rare.   It was a tiny stone, a pitch black speck not larger than the tip of his little finger. It turned up from the intestine of the earth while Vijay was digging a pit for the biogas plant. Anand, the scientist from the village, got the stone analysed in his lab and assured, “It is a rare object.   A compound of carbonic acid and magnesium.” Anand and his fellow scientists believed that it must be a fragment of a meteoroid that hit the earth millions of years ago.   “Very rare indeed,” concluded the scientist. Now, it’s plain commonsense that something that’s very rare indeed must be very valuable too. All the more so if it came from the heavens. So Vijay got the village goldsmith to set it on a gold ring.   Vijay wore the ring proudly on his ring finger. Nobody, in the village, however bothered to pay any homage to Vijay’s...

Empuraan – Review

Revenge is an ancient theme in human narratives. Give a moral rationale for the revenge and make the antagonist look monstrously evil, then you have the material for a good work of art. Add to that some spices from contemporary politics and the recipe is quite right for a hit movie. This is what you get in the Malayalam movie, Empuraan , which is running full houses now despite the trenchant opposition to it from the emergent Hindutva forces in the state. First of all, I fail to understand why so much brouhaha was hollered by the Hindutvans [let me coin that word for sheer convenience] who managed to get some 3 minutes censored from the 3-hour movie. The movie doesn’t make any explicit mention of any of the existing Hindutva political parties or other organisations. On the other hand, Allahu Akbar is shouted menacingly by Islamic terrorists, albeit towards the end. True, the movie begins with an implicit reference to what happened in Gujarat in 2002 after the Godhra train burnin...