Skip to main content

The Turbulence of the Ganga


About twenty years ago, I made my first trek in the Garhwal Himalayas. Hemkunt, at an elevation of 15,000 feet above sea level was our destination. The principal of my school in Delhi at that time was a passionate mountaineer and it was he who arranged this, and later a few more, trek for the senior students and their teachers. I was not quite enthusiastic initially because I doubted my stamina to make the climbs. But I was happy that I went on those treks. I am happier now, looking back. They were quite unique and rare experiences.

The first time in my life that I stood on the side of the highway and looked at the queer phenomenon of the Alaknanda and the Bhagirathi Rivers merging into one to become the Ganga at Devprayag was during that Hemkunt trip. It was queer because the Alaknanda is a crystal-clear river while the Bhagirathi is always turbulent. Their sources make the difference.

The source is important.

When I saw a picture of Devprayag in a Malayalam journal this morning, used as an illustration for a poem, I was reminded of my first trek and my fascination with the Ganga that accepted the purity of the Alaknanda and the turbulence of the Bhagirathi. The Ganga is a symbol of India; it accepts and transforms… It doesn’t destroy. No demolitions. No fabrications of history. It is a natural merge and flow.

Interestingly, the Malayalam poem in the journal mentioned above makes a vague reference to T S Eliot’s The Rock. My thoughts swayed like a trapeze artiste from Devprayag’s magic to Eliot’s Rock and back.

Where is the life we have lost in living? Eliot asks. Where is the wisdom we have lost in knowledge? Where is the knowledge we have lost in information?

The poem was written ninety years ago when the world was not overloaded with information.

Eliot goes on to warn us: There is no life that is not in community.

And that the man of excellent intention but impure heart is deadly.

The last line of the Malayalam poem referred to above is: What is great is not without some merges.

The Ganga’s purity as well as its impurity makes up India’s national texture. No one can rip them apart without destroying the integrity. Excellent intention is not enough; the purity of the heart matters too.

  

Comments

  1. Replies
    1. Some of our leaders should read poetry instead of history.

      Delete
  2. What a great piece! "The Ganga is a symbol of India; it accepts and transforms" I don't think anyone has said it better! Thank you, I'll be using it from now on to get my point across about the ignoble changes taking place in the country~

    ReplyDelete
  3. I loved the lines...no fabrications.... just merge and flow.Very beautiful thoughts.

    ReplyDelete
    Replies
    1. We live in such troubled times that poetry has to be rebirthed.

      Delete
  4. That must have been an interesting trip. Sometimes we have to be pushed into things that we don't necessarily want, but we enjoy once we're there.

    ReplyDelete
    Replies
    1. I loved all the Himalayan treks in those days. Unforgettable experiences.

      Delete

Post a Comment

Popular posts from this blog

Ayodhya: Kingdom of Sorrows

T he Sarayu carried more tears than water. Ayodhya was a sad kingdom. Dasaratha was a good king. He upheld dharma – justice and morality – as best as he could. The citizens were apparently happy. Then, one day, it all changed. One person is enough to change the destiny of a whole kingdom. Who was that one person? Some say it was Kaikeyi, one of the three official wives of Dasaratha. Some others say it was Manthara, Kaikeyi’s chief maid. Manthara was a hunchback. She was the caretaker of Kaikeyi right from the latter’s childhood; foster mother, so to say, because Kaikeyi had no mother. The absence of maternal influence can distort a girl child’s personality. With a foster mother like Manthara, the distortion can be really bad. Manthara was cunning, selfish, and morally ambiguous. A severe physical deformity can make one worse than all that. Manthara was as devious and manipulative as a woman could be in a men’s world. Add to that all the jealousy and ambition that insecure peo...

Abdullah’s Religion

O Abdulla Renowned Malayalam movie actor Mohanlal recently offered special prayers for Mammootty, another equally renowned actor of Kerala. The ritual was performed at Sabarimala temple, one of the supreme Hindu pilgrimage centres in Kerala. No one in Kerala found anything wrong in Mohanlal, a Hindu, praying for Mammootty, a Muslim, to a Hindu deity. Malayalis were concerned about Mammootty’s wellbeing and were relieved to know that the actor wasn’t suffering from anything as serious as it appeared. Except O Abdulla. Who is this Abdulla? I had never heard of him until he created an unsavoury controversy about a Hindu praying for a Muslim. This man’s Facebook profile describes him as: “Former Professor Islahiaya, Media Critic, Ex-Interpreter of Indian Ambassador, Founder Member MADHYAMAM.” He has 108K followers on FB. As I was reading Malayalam weekly this morning, I came to know that this Abdulla is a former member of Jamaat-e-Islami Hind Kerala , a fundamentalist organisation. ...

Lucifer and some reflections

Let me start with a disclaimer: this is not a review of the Malayalam movie, Lucifer . These are some thoughts that came to my mind as I watched the movie today. However, just to give an idea about the movie: it’s a good entertainer with an engaging plot, Bollywood style settings, superman type violence in which the hero decimates the villains with pomp and show, and a spicy dance that is neatly tucked into the terribly orgasmic climax of the plot. The theme is highly relevant and that is what engaged me more. The role of certain mafia gangs in political governance is a theme that deserves to be examined in a good movie. In the movie, the mafia-politician nexus is busted and, like in our great myths, virtue triumphs over vice. Such a triumph is an artistic requirement. Real life, however, follows the principle of entropy: chaos flourishes with vengeance. Lucifer is the real winner in real life. The title of the movie as well as a final dialogue from the eponymous hero sugg...

Empuraan and Ramayana

Maggie and I will be watching the Malayalam movie Empuraan tomorrow. The tickets are booked. The movie has created a lot of controversy in Kerala and the director has decided to impose no less than 17 censors on it himself. I want to watch it before the jingoistic scissors find its way to the movie. It is surprising that the people of Kerala took such exception to this movie when the same people had no problem with the utterly malicious and mendacious movie The Kerala Story (2023). [My post on that movie, which I didn’t watch, is here .] Empuraan is based partly on the Gujarat riots of 2002. The riots were real and the BJP’s role in it (Mr Modi’s, in fact) is well-known. So, Empuraan isn’t giving the audience any falsehood as The Kerala Story did. Moreover, The Kerala Story maligned the people of Kerala while Empuraan is about something that happened in the faraway Gujarat quite long ago. Why are the people of Kerala then upset with Empuraan ? Because it tells the truth, M...

Empuraan – Review

Revenge is an ancient theme in human narratives. Give a moral rationale for the revenge and make the antagonist look monstrously evil, then you have the material for a good work of art. Add to that some spices from contemporary politics and the recipe is quite right for a hit movie. This is what you get in the Malayalam movie, Empuraan , which is running full houses now despite the trenchant opposition to it from the emergent Hindutva forces in the state. First of all, I fail to understand why so much brouhaha was hollered by the Hindutvans [let me coin that word for sheer convenience] who managed to get some 3 minutes censored from the 3-hour movie. The movie doesn’t make any explicit mention of any of the existing Hindutva political parties or other organisations. On the other hand, Allahu Akbar is shouted menacingly by Islamic terrorists, albeit towards the end. True, the movie begins with an implicit reference to what happened in Gujarat in 2002 after the Godhra train burnin...